A brain ever aglow with self-kindled fire--a cerebral battery
bristling with magnetic life--such is Thomas Carlyle. Exceptional
fervor of temperament, rare intellectual vivacity, manful
earnestness--these are the primary qualifications of the man. He has
an uncommon soul-power. Hence his attractiveness, hence his influence.
Every page, every paragraph, every sentence, throbs with his own
being. Themselves all authors put, of course, more or less, into what
they write: few, very few, can make their sentences quiver with
themselves. This Mr. Carlyle does by the intenseness of a warm
individuality, by the nimble vigor of his mental life, and, be it
added, by the rapture of his spirituality. The self, in his case, is a
large, deep self, and it sends an audible pulse through his pen into
his page.
To all sane men is allotted a complete endowment of mental faculties,
of capacities of intellect and feeling; the degree to which
these are energized, are injected with nervous flame, makes the
difference between a genius and a blockhead. There being high vital
pressure at a full, rich, interior source, and thence, strong mental
currents, through what channels the currents shall flow depends on
individual aptitudes, these aptitudes shaping, in the one case, a
Dante, in another, a Newton, in another, a Mirabeau. And Nature, with
all her generosity, being jealous of her rights, allows no interchange
of gifts. Even the many-sided Goethe could not, by whatever force of
will and practice, have written a bar in a symphony of Beethoven. In
his dominant aptitudes, Mr. Carlyle is not more one-sided than many
other intellectual potentates; but, like some others, his activity and
ambition have at times led him into paths where great deficiencies
disclose themselves by the side of great superiorities. His mind is
biographical, not historical; stronger in details than in
generalization; more intuitive than scientific; critical, not
constructive; literary, not philosophical. Mr. Carlyle is great at a
picture, very great; he can fail in a survey or an induction. Wealth
of thought, strokes of tenderness, clean insight into life, satire,
irony, humor, make his least successful volumes to teem with
passages noteworthy, beautiful, wise, as do his "Cromwell" and his
"Frederick." Such giants carrying nations on their broad fronts, Mr.
Carlyle, in writing their lives with duteous particularity, has
embraced the full story of the epoch in which each was the leader. To
him they are more than leaders. Herein he and Mr. Buckle stand at
opposite poles; Mr. Buckle underrating the protagonists of history,
them and their share of agency; Mr. Carlyle overrating them,--a
prejudicial one-sidedness in both cases. Leader and led are the
complements the one of the other.
Public-domain text, read in full here on John Shaqi.
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