Essays towards the history of paintingCallcott, Maria, Lady
History
Essays towards the history of painting
Callcott, Maria, Lady
Painting -- History
This was probably the crimson colour which the Frenchman, mentioned
in the little account of Pompeii, published by the Society for the
Diffusion of Knowledge, bought of the workmen employed in excavating
the town, and used with success as a body colour. He does not appear to
have analysed it, or in any way endeavoured to ascertain its nature,
for the benefit of art. See vol. ii., p. 56.
[247] See note to p. 8.
[248] The colour of the mantle of the Ganymede in the ancient fresco
belonging to Sir M. W. Ridley looks like discoloured lake.
[249] Sir Humphrey Davy, in his paper in the first part of the volume
of the Philosophical Transactions for 1815, on the colours used in
painting by the ancients, says, that the artificial blue found in the
baths of Titus is a frit made by means of soda, and coloured with oxide
of copper. He imagines it to have been the blue invented by an ancient
king of Egypt mentioned in the text, and the same also with that
cœrulium, the art of making which was brought from Egypt to Puteoli, by
Vestorius. That was made by heating together sand, flower of nitre, _i.
e._ soda, and filings of copper.
[250] Certain balls of a fine blue colour have been brought from the
Egyptian tombs since Sir Humphrey Davy’s paper was written. I do not
know whether they have been analysed, but their appearance is like that
of the frit found in the baths of Titus.
[251] She was of the Lusignan family, and is buried at Assisi.
[252] It is to be regretted that Baron Bertholdy did not live to
complete and publish his essay on the glass and paste of the ancients,
as applied to the production of cameos, intaglios, &c., in imitation
of true gems. He had collected a great mass of materials, and had had
some very beautiful specimens engraved. Among other fragments, I saw in
his possession, in 1819, several handles of drinking-cups, on which the
maker’s name and place of residence, namely, Sidon, were stamped before
the glass was cold, some in Greek, some in Roman letters.
Mr. Hatchet has analysed many of the ancient glasses and pastes; but he
did not find cobalt in any of them. In some very ancient beads found
in one of the oldest tombs of Egypt, he found the colouring matter
was manganese. Yet Davy speaks of a blue glass which appeared to him
to be tinged with cobalt as common among the ruins of Rome; and says,
moreover, that on analysing different ancient transparent blue glasses,
he had found cobalt in all of them.
[253] Pliny, book xxxiii. ch. 5.
[254] Borax is a salt with excess of soda. The ancients used it as we
do, as a flux, and a solder for metals.
[255] Also used by shoemakers to blacken leather shoes.
[256] Most probably Indian ink.
[257] Purple dye, the purple of Puteoli, was not procured simply from
the shell-fish, but was mixed with the juice of madder and the megalob
berries. Hence, probably, the superior quality of the pigment.
Public-domain text, read in full here on John Shaqi.
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