Essays towards the history of paintingCallcott, Maria, Lady
History
Essays towards the history of painting
Callcott, Maria, Lady
Painting -- History
[271] The work of Theophilus was composed certainly not later than A.
D. 1000, probably earlier; that of Heraclius, de Artibus Romanorum, was
written about the same period. Raspe published Theophilus under the
title of “Theophilus Monacus de omni scientia artis pingendi, e codice
manuscripto Collegii Trinitatis Cantabrigiensis.”
[272] Linseed oil does not dry well without management, any more than
the nut oils. Theophilus directs that it should be simmered in a new
pipkin over a slow fire (but by no means boil), till one-third was
evaporated; then powdered fornice, _i.e._ resin from the pitch-tree,
stirred in; and observes, that every kind of painting glazed with this
becomes glossy and durable. Thus the simple oil varnish was known and
used at least as early as the eleventh century, four hundred years
before the Van Eycks.
A ground, named by Theophilus, and afterwards by Cennino, for
cementing panel, was composed of powdered lime and cheese,--the chief
ingredients, if I am not mistaken, of Vancouver’s and other strong
cements.
[273] Venice turpentine, perhaps.
[274] A term now, I believe, only used in heraldry, either in English
or French. In Rome they now make pencils of the fine hair of kids.
THE END.
LONDON:
BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
ERRATA.
Page 19, line 6, for _Trimuti_ read _Trimurti_
52, in the note, l. 3 from bottom, for _Sira_ read _Siva_
107, l. 6, for _cotemporary_ read _contemporary_
144, l. 11, for _Nausictæa_ read _Nausicaa_
163, bottom line, for _cotemporary_ read _contemporary_
167, l. 12, the same the same
209, l. 5, for _Guileo_ read _Giulio_
225, l. 9, omit the full stop
253, in the second note, for _terula_ read _ferula_
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