Essays towards the history of paintingCallcott, Maria, Lady
History
Essays towards the history of painting
Callcott, Maria, Lady
Painting -- History
As this essay is already longer than I intended, I will close it
here; and endeavour, in another, to sketch the history of the highest
prosperity and gradual decline of art in Greece. The consideration
of the causes of that decline belongs to the philosophy of general
history. I will only remark, that painting in Greece rose to its
highest excellence by individual exertions, exciting the sympathy, and
therefore the patronage, of the public generally; that it flourished
under the encouragement of Alexander; but that the unnatural fostering
of power appears to have weakened the spirit of art, which faded
after his time, as those delicate plants which are cherished into
extraordinary beauty by the heat of the stove, after a season languish
and die, even of the effort that seemed to contribute to their
luxuriance.
FOOTNOTES:
[71] I have heard it objected that the Americans of the United States,
though they built towns and established civil governments and so on,
thought little of the fine arts for 200 years. That is true. But it
should be remembered that the fine arts formed part of the religion of
the Egyptian emigrants. The British emigrants, on the contrary, had
just quitted a most gorgeous communion, which had employed all the arts
in its service, and thus rendered them an abomination to the severe
puritans who were in fact flying from the persecutions of the great
patrons of art in their days.
[72] Lecture 1.
[73] Pausanias, to whom we owe the largest catalogue of antique works
of art, travelled about the year 170 of our era; and the objects he
describes could not have been suddenly dispersed even after his time.
[74] Contemporary with Homer was Jeroboam, who set up the two calves or
heifers in two cities of Palestine.
[75] 1 Kings, ch. vii., v. 13. In 2 Chron. ch. ii., v. 14, he is not
named, and his mother is said to have been of the daughters of Dan;
his qualifications were, that he was “skilful to work in gold and in
silver, in brass, in iron, in stone and in timber, in purple, in blue,
in fine linen, and in crimson; also to grave any manner of graving,
and to find out every device which shall be put to him.” Scripture
tell us likewise, that Solomon built or repaired many cities. Balbec
and Palmyra are both named. Now, the columns and lighter parts of the
temples at Balbec look very like architecture of the Roman time; while
the massy substructures resemble works that are always said to be of
Pelasgic origin. Again, the temples of Palmyra are of Roman taste; but
the tombs and watercourses, like the works in Palestine ascribed to
Solomon, are massy and durable.
Public-domain text, read in full here on John Shaqi.
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