Essays towards the history of paintingCallcott, Maria, Lady
History
Essays towards the history of painting
Callcott, Maria, Lady
Painting -- History
Alexander, the eldest son of Amyntas, King of Macedon, desirous of
distinction in Greece, proposed himself as a competitor in some of
the Olympic games; but the Greeks rejected him at first with scorn as
a Barbarian[118]. However, he brought proofs of his descent from an
Argive family, and was thereupon admitted by the Hellanodicæ[119] to
an equal participation with other Greeks in those sacred games. He
obtained a victory in one of the races, and dedicated a golden statue
in the temple of Olympia.
The title of the Macedonians to appear as Greeks at the Olympic games,
was asserted by the successors of Alexander in person or by proxy, and
Philip received the news that his horses had won the prize in the race
at Olympus, on the very day when the tidings reached him of the birth
of Alexander the Great.
In truth, the kings of Macedon had been for many generations eager
to civilise their people, by introducing among them some of the
refinements of Greece, when they could snatch an interval of peace
from the wars they were continually forced to wage against their rude
neighbours to the north. They had employed the sculptors and painters
of Athens and Sicyon; and the forced residence of Philip with the
Thebans during the civil wars in Macedon, had rendered _him_ at least
intimate with the literature and philosophy of Greece.
In choosing Aristotle for one of the tutors of his son, Philip probably
had a view to improving his taste, as well as cultivating those higher
qualities, which, though they may exist without it, derive from it a
grace and a spirit which double their value.
The same feeling which led “the stern Emathian conqueror” to
spare
The house of Pindarus, when temple and tow’r
Went to the ground,
made him the friend of Apelles and the patron of Lysippus and
Pyrgoteles[120].
I am not certain whether it was to Alexander or to his father, though
probably to the latter, that Pamphilus the Macedonian, a disciple of
Eupompus, owed the protection which enabled him to re-establish the
school of Sicyon, with such enlargement as suited the time. In the
public course of instruction he procured painting to be ranked in the
first degree of liberal sciences[121]; and, consequently, all youths
of honourable birth were understood to learn at least the elements of
drawing as part of their education[122].
Public-domain text, read in full here on John Shaqi.
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