Domestic fiction; England -- Fiction; Mothers and sons -- Fiction; Unmarried mothers -- Fiction; Women household employees -- Fiction
"Then why do I find you in such company? You don't come here like us to
find sinners."
"I haven't forgotten God, but I must do my duty to my husband. It would be
like setting myself up against my husband's business, and you don't think
I ought to do that? A wife that brings discord into the family is not a
good wife, so I've often heard."
"You always thought more of your husband than of Christ, Esther."
"Each one must follow Christ as best he can! It would be wrong of me to
set myself against my husband."
"So he married you?" Fred answered bitterly.
"Yes. You thought he'd desert me a second time; but he's been the best of
husbands."
"I place little reliance on those who are not with Christ. His love for
you is not of the Spirit. Let us not speak of him. I loved you very
deeply, Esther. I would have brought you to Christ.... But perhaps you'll
come to see us sometimes."
"I do not forget Christ. He's always with me, and I believe you did care
for me. I was sorry to break it off, you know I was. It was not my fault."
"Esther, it was I who loved you."
"You mustn't talk like that. I'm a married woman."
"I mean no harm, Esther. I was only thinking of the past."
"You must forget all that... Good-bye; I'm glad to have seen you, and that
we said a prayer together."
Fred didn't answer, and Esther moved away, wondering where she should find
Sarah.
XXXIII
The crowd shouted. She looked where the others looked, but saw only the
burning blue with the white stand marked upon it. It was crowded like the
deck of a sinking vessel, and Esther wondered at the excitement, the cause
of which was hidden from her. She wandered to the edge of the crowd until
she came to a chalk road where horses and mules were tethered. A little
higher up she entered the crowd again, and came suddenly upon a switchback
railway. Full of laughing and screaming girls, it bumped over a middle
hill, and then rose slowly till it reached the last summit. It was shot
back again into the midst of its fictitious perils, and this mock voyaging
was accomplished to the sound of music from a puppet orchestra. Bells and
drums, a fife and a triangle, cymbals clashed mechanically, and a little
soldier beat the time. Further on, under a striped awning, were the wooden
horses. They were arranged so well that they rocked to and fro, imitating
as nearly as possible the action of real horses. Esther watched the
riders. A blue skirt looked like a riding habit, and a girl in salmon pink
leaned back in her saddle just as if she had been taught how to ride. A
girl in a grey jacket encouraged a girl in white who rode a grey horse.
But before Esther could make out for certain that the man in the blue
Melton jacket was Bill Evans he had passed out of sight, and she had to
wait until his horse came round the second time. At that moment she caught
sight of the red poppies in Sarah's hat.
Public-domain text, read in full here on John Shaqi.
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