Domestic fiction; England -- Fiction; Mothers and sons -- Fiction; Unmarried mothers -- Fiction; Women household employees -- Fiction
The dying man sweated profusely, and Esther wiped his face from time to
time. Mrs. Collins came in. She had a large tin candlestick in her hand in
which there was a fragment of candle end. He motioned to her to put it
aside. She put it on the table out of the way of his eyes.
"You'll help Esther to lay me out.... I don't want any one else. I don't
like the other woman."
"Esther and me will lay you out, make your mind easy; none but we two
shall touch you."
Once more Esther wiped his forehead, and he signed to her how he wished
the bed-clothes to be arranged, for he could no longer speak. Mrs. Collins
whispered to Esther that she did not think that the end could be far off,
and compelled by a morbid sort of curiosity she took a chair and sat down.
Esther wiped away the little drops of sweat as they came upon his
forehead; his chest and throat had to be wiped also, for they too were
full of sweat. His eyes were fixed on the darkness and he moved his hand
restlessly, and Esther always understood what he wanted. She gave him a
little brandy-and-water, and when he could not take it from the glass she
gave it to him with a spoon.
The silence grew more solemn, and the clock on the mantelpiece striking
ten sharp strokes did not interrupt it; and then, as Esther turned from
the bedside for the brandy, Mrs. Collins's candle spluttered and went out;
a little thread of smoke evaporated, leaving only a morsel of blackened
wick; the flame had disappeared for ever, gone as if it had never been,
and Esther saw darkness where there had been a light. Then she heard Mrs.
Collins say--
"I think it is all over, dear."
The profile on the pillow seemed very little.
"Hold up his head, so that if there is any breath it may come on the
glass."
"He's dead, right enough. You see, dear, there's not a trace of breath on
the glass."
"I'd like to say a prayer. Will you say a prayer with me?"
"Yes, I feel as if I should like to myself; it eases the heart wonderful."
XLV
She stood on the platform watching the receding train. A few bushes hid
the curve of the line; the white vapour rose above them, evaporating in
the grey evening. A moment more and the last carriage would pass out of
sight. The white gates swung slowly forward and closed over the line.
An oblong box painted reddish brown lay on the seat beside her. A woman of
seven or eight and thirty, stout and strongly built, short arms and
hard-worked hands, dressed in dingy black skirt and a threadbare jacket
too thin for the dampness of a November day. Her face was a blunt outline,
and the grey eyes reflected all the natural prose of the Saxon.
Public-domain text, read in full here on John Shaqi.
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