=2. The Motives.=--In the motives to which it appeals, custom is able to
make a far better showing than earlier writers, like Herbert Spencer,
gave it credit for. It doubtless employs fear in its taboos; it
doubtless enlists the passion of resentment in its blood feuds. Even
these are modified by a social environment. For the fear of violating a
taboo is in part the fear of bringing bad luck on the whole group, and
not merely on the violator. We have, therefore, a quasi-social fear, not
a purely instinctive reaction. The same is true in perhaps a stronger
degree of the resentments. The blood revenge is in a majority of cases
not a personal but a group affair. It is undertaken at personal risk and
for others' interest--or rather for a common interest. The resentment is
thus a "_sympathetic resentment_."[42] Regarded as a mere reaction for
self-preservation this instinctive-emotional process is unmoral. As a
mere desire to produce pain it would be immoral. But so far as it
implies an attitude of reacting from a general point of view and to aid
others, it is moral. Aside from the passions of fear and resentment,
however, there is a wide range of motives enlisted. Filial and parental
affection, some degree of affection between the sexes over and above sex
passion, respect for the aged and the beings who embody ideals however
crude, loyalty to fellow clansmen,--all these are not only fostered but
actually secured by the primitive group. But the motives which imply
reflection--reverence for duty as the imperious law of a larger life,
sincere love of what is good for its own sake--cannot be brought to full
consciousness until there is a more definite conception of a moral
authority, a more definite contrast between the one great good and the
partial or temporary satisfactions. The development of these conceptions
requires a growth in individuality; it requires conflicts between
authority and liberty, and those collisions between private interests
and the public welfare which a higher civilization affords.
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