"Listen. You are right, my guide was a being wonderful to mortals. He
was eyeless, but as I have shown you before, and now swear to the fact,
was not sightless; surely," he said, "surely you have not forgotten
that long ago I considered the phenomenal instinct at length. He
predicted the future by means of his knowledge of the past--there is
nothing wonderful in that. Can not a civil engineer continue a line into
the beyond, and predict where the projection of that line will strike;
can he not also calculate the effect that a curve will have on his
line's destiny? Why should a being conversant with the lines and curves
of humanity's journey for ages past not be able to indicate the lines
that men must follow in the future? Of course he could guide the boat,
in what was to me a trackless waste of water, but you err in asserting
that I had said he did not have a guide, even if it were not a compass.
Many details concerning this journey have not been explained to you;
indeed, I have acquainted you with but little that I experienced. Near
surface earth we passed through caverns filled with creeping reptiles;
through others we were surrounded by flying creatures, neither beast nor
bird; we passed through passages of ooze and labyrinths of apparently
interminable intra-earth structures; to have disported on such features
of my journey would have been impracticable. From time to time I
experienced strains of melody, such as never before had I conceived,
seemingly choruses of angels were singing in and to my very soul. From
empty space about me, from out the crevices beyond and behind me, from
the depths of my spirit within me, came these strains in notes clear and
distinct, but yet indescribable. Did I fancy, or was it real? I will not
pretend to say. Flowers and structures beautiful, insects gorgeous and
inexplicable were spread before me. Figures and forms I can not attempt
to indicate in word descriptions, ever and anon surrounded, accompanied,
and passed me by. The canvas conceptions of earth-bred artists bring to
mind no forms so strange and weird and yet so beautiful as were these
compound beings. Restful beyond description was it to drink in the
indescribable strains of poetry of motion that I appreciated in the
movements of fair creatures I have not mentioned, and it was no less
soothing to experience the soul relief wrought by the sounds about me,
for musicians know no notes so sweet and entrancing.
Public-domain text, read in full here on John Shaqi.
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