To describe the details of clothes is futile. Almost before this page
comes from the printer, the trend may quite likely change. But the
tendency of the moment is toward greater simplicity--in effect at all
events.
=IN CONFIDENCE TO A DÉBUTANTE=
Let us pretend a worldly old godmother is speaking, and let us suppose
that you are a young girl on the evening of your coming-out ball. You are
excited, of course you are! It is your evening, and you are a sort of
little princess! There is music, and there are lights, and there are
flowers everywhere--a great ballroom massed with them, tables heaped with
bouquets--all for you! You have on an especially beautiful dress--one that
was selected from among many others, just because it seemed to you the
prettiest. Even your mother and married sister who, "_en grande tenue_,"
have always seemed to you dazzling figures, have for the moment become,
for all their brocades and jewels, merely background; and you alone are
the center of the picture. Up the wide staircase come throngs of
fashionables--who mean "the world." They are coming on purpose to bow to
you! You can't help feeling that the glittering dresses, the tiaras, the
ropes of pearls and chains of diamonds of the "dowagers," the stiff white
shirt-fronts and boutonnières and perfectly fitting coats of the older
gentlemen, as well as the best clothes of all the younger people, were all
put on for you.
You shake hands and smile sweetly to a number of older ladies and shake
hands with an equal number of gentlemen, all very politely and properly.
Then suddenly, half way up the stairs you see Betty and Anne and Fred and
Ollie. Of course your attention is drawn to them. You are vaguely
conscious that the butler is shouting some stupid name you never heard
of--that you don't care in the least about. Your mother's voice is saying
"Mrs. zzzzzz----,"
Public-domain text, read in full here on John Shaqi.
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