The night was still, and not wholly dark; for the clouds lay scattered though dense, and suffered many stars to gleam through the heavy air; the moon herself was abroad, but on her decline, and looked forth with a man and saddened aspect, as she travelled from cloud to cloud. It has been the necessary course of our narrative, to pourtray Aram, more often than to give an exact notion of his character we could have altogether wished, in his weaker moments; but whenever he stood in the actual presence of danger, his whole soul was in arms to cope with it worthily: courage, sagacity, even cunning, all awakened to the encounter; and the mind which his life had so austerely cultivated repaid him in the urgent season, with its acute address, and unswerving hardihood. The Devil’s Crag, as it was popularly called, was a spot consecrated by many a wild tradition, which would not, perhaps, be wholly out of character with the dark thread of this tale, were we in accordance with certain of our brethren, who seem to think a novel like a bundle of wood, the more faggots it contains the greater its value, allowed by the rapidity of our narrative to relate them. The same stream which lent so soft an attraction to the valleys of Grassdale, here assumed a different character; broad, black, and rushing, it whirled along a course, overhung by shagged and abrupt banks. On the opposite side to that by which Aram now pursued his path, an almost perpendicular mountain was covered with gigantic pine and fir, that might have reminded a German wanderer of the darkest recesses of the Hartz; and seemed, indeed, no unworthy haunt for the weird huntsman, or the forest fiend. Over this wood the moon now shimmered, with the pale and feeble light we have already described; and only threw into a more sombre shade the motionless and gloomy foliage. Of all the offspring of the forest, the Fir bears, perhaps, the most saddening and desolate aspect. Its long branches, without absolute leaf or blossom; its dead, dark, eternal hue, which the winter seems to wither not, nor the spring to revive, have, I know not what of a mystic and unnatural life. Around all woodland, there is that horror umbrarum which becomes more remarkably solemn and awing amidst the silence and depth of night: but this is yet more especially the characteristic of that sullen evergreen. Perhaps, too, this effect is increased by the sterile and dreary soil, on which, when in groves, it is generally found; and its very hardiness, the very pertinacity with which it draws its strange unfluctuating life, from the sternest wastes and most reluctant strata, enhance, unconsciously, the unwelcome effect it is calculated to create upon the mind. At this place, too, the waters that dashed beneath gave yet additional wildness to the rank verdure of the wood, and contributed, by their rushing darkness partially broken by the stars, and the hoarse roar of their chafed course, a yet more grim and savage sublimity to the scene.