Eugene Aram — Volume 04Lytton, Edward Bulwer Lytton, Baron
General
Eugene Aram — Volume 04
Lytton, Edward Bulwer Lytton, Baron
Aram, Eugene, 1704-1759 -- Fiction
The face of the deceased had not yet suffered the last withering change.
Her young countenance was hushed and serene, and but for the fixedness of
the smile, you might have thought the lips moved. So delicate, fair, and
gentle were the features that it was scarcely possible to believe such a
scion could spring from such a stock; and it seemed no longer wonderful
that a thing so young, so innocent, so lovely, and so early blighted
should have touched that reckless and dark nature which rejected all
other invasion of the softer emotions. The curate wiped his eyes, and
kneeling down prayed, if not for the dead (who, as our Church teaches,
are beyond human intercession), perhaps for the father she had left on
earth, more to be pitied of the two! Nor to Walter was the scene without
something more impressive and thrilling than its mere pathos alone. He,
now standing beside the corpse of Houseman's child, was son to the man of
whose murder Houseman had been suspected. The childless and the
fatherless,--might there be no retribution here?
When the curate's prayer was over, and he and Walter escaped from the
incoherent blessings and complaints of the women of the house, they, with
difficulty resisting the impression the scene had left upon their minds,
once more resumed their errand.
"This is no time," said Walter, musingly, "for an examination of
Houseman; yet it must not be forgotten."
The curate did not reply for some moments; and then, as an answer to the
remark, observed that the conversation they anticipated with Aram's
former hostess might throw some light on their researches. They now
proceeded to another part of the town, and arrived at a lonely and
desolate-looking house, which seemed to wear in its very appearance
something strange, sad, and ominous. Some houses have an expression, as
it were, in their outward aspect that sinks unaccountably into the
heart,--a dim, oppressive eloquence which dispirits and affects. You say
some story must be attached to those walls; some legendary interest, of a
darker nature, ought to be associated with the mute stone and mortar; you
feel a mingled awe and curiosity creep over you as you gaze. Such was the
description of the house that the young adventurer now surveyed. It was
of antique architecture, not uncommon in old towns; gable ends rose from
the roof; dull, small, latticed panes were sunk deep in the gray,
discolored wall; the pale, in part, was broken and jagged; and rank weeds
sprang up in the neglected garden, through which they walked towards the
porch. The door was open; they entered, and found an old woman of coarse
appearance sitting by the fireside, and gazing on space with that vacant
stare which so often characterizes the repose and relaxation of the
uneducated poor. Walter felt an involuntary thrill of dislike come over
him as he looked at the solitary inmate of the solitary house.
Public-domain text, read in full here on John Shaqi.
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