Eugene Field, a Study in Heredity and Contradictions — Volume 1Thompson, Slason
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Eugene Field, a Study in Heredity and Contradictions — Volume 1
Thompson, Slason
Field, Eugene, 1850-1895; Journalists -- United States -- Biography; Poets, American -- 19th century -- Biography
For a long time a rusty old carpenter's saw hung on the wall of his
"boudoir." Beside it were some burglars' implements, and subsequently a
convict's suit hanging to a peg excited the wonder of the curious and
the sarcasm of the ribald.
The table in Field's room, besides serving as a resting place for his
feet, was covered with the exchanges which were passed along to him
after they had passed under the scrutiny and shears of the exchange
editor. When Field had gone through them with his rusty scissors they
were only fit for the floor, where he strewed them with a riotous hand.
If the reader has followed thus far he has a tolerably fair notion of
the unpropitious and eccentric surroundings amid which Field worked
immediately after coming to Chicago. Out of this strange environment
came as variegated a column of satire, wit, and personal persiflage as
ever attracted and fascinated the readers of a daily newspaper.
And now of the man himself as I first saw him. He was at that time in
his thirty-third year, my junior by a year. If Eugene Field had ever
stood up to his full height he would have measured slightly over six
feet. But he never did and was content to shamble through life,
appearing two inches shorter than he really was. Shamble is perhaps
hardly the word to use. But neither glide nor shuffle fits his gait any
more accurately. It was simply a walk with the least possible waste of
energy. It fitted Dr. Holmes's definition of walking as forward motion
to prevent falling. And yet Field never gave you the impression that he
was about to topple over. His legs always acted as if they were weary
and would like to lean their master up against something. As to what
that something might be, he would probably have answered, "Pie."
Field's arms were long, ending in well-shaped hands, which were
remarkably deft and would have been attractive had he not at some time
spoiled the fingers by the nail-biting habit. His shoulders were broad
and square, and not nearly as much rounded as might have been expected
from his position in writing. It was not the stoop of his shoulders
that detracted from his height, but a certain settling together, if I
may so say, of the couplings of his backbone. He was large-boned
throughout, but without the muscles that should have gone with such a
frame. He would probably have described himself as tall, big, gangling.
He had no personal taste or pride in clothing, and never to my
knowledge came across a tailor who took enough interest in his clothes
to give him the benefit of a good fit or to persuade him to choose a
becoming color. For this reason he looked best-dressed in a dress suit,
which he never wore when there was any possibility of avoiding it. His
favorite coat was a sack, cut straight, and made from some cloth in
which the various shades of yellow, green, and brown struggled for
mastery.
Public-domain text, read in full here on John Shaqi.
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