Eugene Field, a Study in Heredity and Contradictions — Volume 1Thompson, Slason
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Eugene Field, a Study in Heredity and Contradictions — Volume 1
Thompson, Slason
Field, Eugene, 1850-1895; Journalists -- United States -- Biography; Poets, American -- 19th century -- Biography
_The tiny birdlings in the tree
Their tuneful tales of love relate--
Alas, no lover comes to me--
I flock alone, without a mate.
Mine eyes are hot with bitter tears,
My soul disconsolately yearns--
But, ah, no wooing knight appears--
In vain my quenchless passion burns.
Unheeded are my glowing charms--
No heroes claim a moonlight tryst--
All empty are my hungry arms--
My virgin cheeks are all unkissed.
Oh, would some cavalier might haste
To crown me with his manly love,
And, with his arm about my waist,
Feed on my cherry lips above.
Alas, my blush and bloom will fade,
And I shall lose my dulcet notes--
Then I shall die an old, old maid,
And none will mourn Miss Alice Oates._
[Illustration: FRANCIS WILSON.]
Of his friendship with Francis Wilson there is no need to write here,
for is it not fully set forth in that charming little brochure, in
which Mr. Wilson gives to the world a characteristic sketch of the
Eugene Field and bibliomaniac he knew, and in whose work he was so
deeply interested? But Mr. Wilson does not tell how he was pursued and
plagued with the following genial invention which Field printed in his
column in 1884, and which still occasionally turns up in country
exchanges:
"Mr. Francis Wilson, the comedian, is a nephew of Père Hyacinthe, the
ancient divine. During his recent sojourn in Paris he was the père's
guest, and finally became deeply interested in the great work of reform
in which the famous preacher is engaged. His intimate acquaintances say
that Mr. Wilson is fully determined to retire from the stage at the
expiration of five years and devote himself to theological pursuits. He
gave Père Hyacinthe his promise to this effect, and his sincerity is
undoubted."
William Florence, the comedian, was an actor of whom, on and off the
stage, Field never wearied. Night after night would we go to see
"Billy," as he was familiarly and irreverently called, as Bardwell
Slote in the "Mighty Dollar," or as Captain Cuttle in "Dombey and Son."
Although originally an Irish comedian of rollicking and contagious
humor, Florence had played "Bardwell Slote" so constantly and for so
many years that his voice and manner in every-day life had the
ingratiating tone of that typical Washington lobbyist. Before his
death, while touring with Jefferson as Sir Lucius O'Trigger in "The
Rivals," he renewed his earlier triumphs in Irish character, but, even
here the accents of the oily Bardwell gave an additional touch of
blarney to his brogue.
Public-domain text, read in full here on John Shaqi.
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