Eugene Field, a Study in Heredity and Contradictions — Volume 1Thompson, Slason
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Eugene Field, a Study in Heredity and Contradictions — Volume 1
Thompson, Slason
Field, Eugene, 1850-1895; Journalists -- United States -- Biography; Poets, American -- 19th century -- Biography
Although Eugene Field was the most unconventional of writers, there
was a method in all his ways that made play of much of his work. No
greater mistake was ever made than in attributing his physical
break-down to exhaustion from his daily grind in a newspaper office.
No man ever made less of a grind than he in preparing copy for the
printer. He seldom arrived at the office before eleven o'clock and
never settled down to work before three o'clock. The interim was spent
in puttering over the exchanges, gossiping with visitors, of whom he
had a constant stream, quizzing every other member of the staff,
meddling here, chaffing there, and playing hob generally with the
orderly routine of affairs. He was a persistent, insistent,
irrepressible disturber of everything but the good-fellowship of the
office, to which he was the chief contributor. No interruption from
Field ever came or was taken amiss. From the hour he ambled
laboriously up the steep and narrow stairs, anathematizing them at
every step, in every tone of mockery and indignation, to the moment he
sat down to his daily column of "leaded agate, first line brevier," no
man among us knew what piece of fooling he would be up to next.
Something was wrong, Field was out of town, or some old crony from
Kansas City, St. Louis, or Denver was in Chicago, if about one o'clock
I was not interrupted by a summons from him that the hour for luncheon
had arrived. Although I was at work within sound of his voice, these
came nearly always in the form of a note, delivered with an unvarying
grin by the office-boy, who would drop any other errand, however
pressing, to do Field's antic bidding. These notes were generally
flung into the waste-paper basket, much to my present regret, for of
themselves they would have made a most remarkable exhibit. Sometimes
the summons would be in the form of a bar of music like this which I
preserved:
[Illustration: A BAR OF MUSIC.
_Written by Eugene Field._]
But more often it was a note in the old English manner, which for
years was affected between us, like this one:
PUISSANT AND TRIUMPHANT LORD:
By my halidom it doth mind me to hold discourse with thee. Come thou
privily to my castle beyond the moat, an' thou wilt.
In all fealty, my liege,
Thy gentle vassal,
[Illustration: The mark of The Good Knight.]
Or, going down to the counting-room, he would summon a messenger to
mount the stairs with a formal invitation like this:
SIR SLOSSON:
The Good but Impecunious Knight bides in the business office, and
there soothly will he tarry till you come anon. So speed thee, bearing
with thee ducats that in thy sweet company and by thy joyous courtesy
the Good Knight may be regaled with great and sumptuous cheer withal.
THE GOOD KNIGHT.
Public-domain text, read in full here on John Shaqi.
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