Eugene Field, a Study in Heredity and Contradictions — Volume 1Thompson, Slason
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Eugene Field, a Study in Heredity and Contradictions — Volume 1
Thompson, Slason
Field, Eugene, 1850-1895; Journalists -- United States -- Biography; Poets, American -- 19th century -- Biography
Mr. Francis F. Browne, of The Dial, thinks it is one of Miss Wheeler's
earlier poems, since it is imbued with that sweet innocence, that
childish simplicity, and that meek piety which have ever characterized
the work of the famous Wisconsin lyrist. But as we can learn nothing
positive as to the authorship of the poem, we shall have to call upon
the public at large to help us out.
It is needless to say that the public at large could throw no light on
the composition of this imitation of Dr. Watts with which Field was
not already possessed, since both poem and "Melissa Mayfield" were
creations of Field's fancy.
One of the most characteristic examples of the pains he would take to
palm off a composition of his own upon some innocent and unsuspecting
public man appeared in the Morning News on January 22d, 1887. It was
nothing short of an attempt to father upon the late Judge Thomas M.
Cooley the authorship of half a dozen bits of verse of varying styles
and degrees of excellence. He professed to have received from Jasper
Eastman, a prominent citizen of Adrian, Mich., twenty-eight poems
written by Judge Cooley, "the venerable and learned jurist, recently
appointed receiver of the Wabash Railroad." These were said to have
appeared in the Ann Arbor Daily News when it was conducted by the
judge's most intimate friend, between the years 1853 and 1861. Field
anticipated public incredulity by saying that "people who knew him to
be a severe moralist and a profound scholar will laugh you to scorn if
you try to make them believe Cooley ever condescended to express his
fancies in verse." Then he went on to describe the judge, at the time
of writing the verse, as "a long, awkward boy, with big features,
moony eyes, a shock of coarse hair, and the merest shadow of a
mustache," in proof of which description he presented a picture of the
young man, declared to be from a daguerrotype in the possession of Mr.
Eastman. The first "specimen gem" was said to be a paraphrase from
Theocritus, entitled "Mortality":
_O Nicias, not for us alone
Was laughing Eros born,
Nor shines for us alone the moon,
Nor burns the ruddy morn.
Alas! to-morrow lies not in the ken
Of us who are, O Nicias, mortal men._
Next followed a bit, "in lighter vein, from the Simonides of Amorgas,"
entitled "A Fickle Woman":
_Her nature is the sea's, that smiles to-night
A radiant maiden in the moon's soft light;
The unsuspecting seaman sets his sails,
Forgetful of the fury of her gales;
To-morrow, mad with storms, the ocean roars,
And o'er his hapless wreck her flood she pours._
Field then went on to describe Judge Cooley as equally felicitous in
Latin verse, presenting in proof thereof the following, "sung at the
junior class supper at Ann Arbor, May 14th, 1854":
_Nicyllam bellis oculis--
(Videre est amare),
Carminibus et poculis,
Tra la la, tra la la,
Me placet propinare:
Tra la la, tra la la,--
Me placet propinare!_
Public-domain text, read in full here on John Shaqi.
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