"Sweet were those declining years," writes the essayist; "sweet in their homely moderate delights, sweet in their wholesome employments, sweet in their peacefulness and repose. But sweeter and holier yet were they in the loyalty of a friendship that, covering a long period of endeavor, of struggle and adversity, survived to illumine and to glorify, as it has been a quenchless flame, the evening of the poet's life. An o'erturned stone, upon which the ivy seeks to hide the ravages which time has made, marks the spot where Wilwhite sleeps the last gracious sleep of humanity. Now and again wayfarers, straying thence, wonder whose dust it is that mingles with the warmth of Mother Earth beneath that broken tablet. And while they wonder there amid the hush, which only the music of the birds profanes, and with the fragrance of wild flowers all around, love is fulfilled and loyalty perfected; for beyond the compass of years they that wrought together and were true abide in sweet companionship eternally." EUGENE FIELD. May 20th, 1891. The review of Miss Abbott's fictitious autobiography needs no further introduction, save the statement that the only parts of it that are based on fact are those which refer to the high esteem in which its subject--or shall I say its victim?--was held by Field and the names and relations of the parties mentioned. If the reader cares to compare some of the phrases used in this autobiography with others quoted from the proceedings in the Vermont litigation in the early chapters of this book, he will find striking evidence of the persistence of literary expression in the Field family: REVIEW OF THE MEMOIRS OF MISS EMMA ABBOTT. The advance sheets of Miss Abbott's biography have been sent to us by the publishers. This volume, consisting of 868 pages, is entitled, "Ten Years a Song Bird: Memoirs of a Busy Life, by Emma Abbott." It will be put upon the market in time to catch what is called the holiday trade, and we hope it will have that enormous sale to which its merits entitle it. It is altogether a charming book--it reads like a woman's letters, so full is it of confidence couched in the artless, easy, unpretentious language of femininity. The style is so unconscious that at times it really seems as if, attired in wrapper and slippers, the fair narrator were lolling back in an easy-chair talking these interesting things into your friendly ear.