Eugene Field, a Study in Heredity and Contradictions — Volume 2Thompson, Slason
General
Eugene Field, a Study in Heredity and Contradictions — Volume 2
Thompson, Slason
Field, Eugene, 1850-1895; Journalists -- United States -- Biography; Poets, American -- 19th century -- Biography
Miss Abbott says that she was particularly fortunate in having
secured Mr. James W. Morrissey for her manager. This young man was
full of energy and of device; moreover, he was personally acquainted
with many of the journalists throughout the country. He was with
Miss Abbott three years, and she acknowledges herself under great
obligations to him. "It is pleasant," she writes, "to feel that our
friendship still exists, as hearty and as generous as ever; and that
it will abide to the end I doubt not, for, by naming his little son
Abbott in honor of me, my dear, good, kind Jimmy Morrissey has
simply welded more closely the bonds of friendship uniting us."
These words are characteristic of honest Emma Abbott's candor.
In these memoirs there is a chapter devoted to the newspaper
critics, and it is interesting to note the good-nature with which
the sprightly cantatrice handles these touchy gentlemen. Not an
unkind word is said; occasionally a foible or a trait is hit off,
but all is done cleverly and in the most genial temper. Considerable
space is devoted to the Chicago critics--Messrs. Upton, Mathews,
McConnell, and Gleason--who, Miss Abbott says, have helped her with
what they have written about her. Messrs. Moore, Johns, and
Jennings, of St. Louis; R.M. Field, of Kansas City; William
Stapleton, of Denver; Alf Sorenson, of Cincinnati, are prominent
among the western critics whom she specifies as her "dear, good
friends." She calls upon heaven to bless them.
There is a chapter (the thirteenth) which tells how a public singer
should dress; we wish we had the space for liberal quotations from
this interesting essay, because this is a subject which all the
ladies are anxious to know all about. Miss Abbott ridicules the idea
that the small-waisted dress is harmful to the wearer. Women breathe
with their lungs, and do not enlist the co-operation of the
diaphragm, as men do. So, therefore, it matters not how tight a
woman laces her waist so long as she insists that her gown be made
ample about the bust; nay, the fair author maintains that the singer
has a better command of her powers, and is more capable of sustained
exertion, when her waist is girt and cinched to the very limit. Of
course, knowing nothing whatsoever of this thing, we are wholly
incompetent to discuss the subject. It interests us to know that
Miss Abbott's theory is indorsed by Worth, Madame Demorest, Dr.
Hamilton, and other recognized authorities.
Public-domain text, read in full here on John Shaqi.
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