The central portion of the play deals with the decision of the Greeks about Hector's little boy, Astyanax. He is only a child now; but of course he will grow, and he will form the natural rallying point for all the fugitive Trojans and the remnants of the great Trojan Alliance. On the principles of the Melian dialogue he is best out of the way. The Herald is sent to take the child from his mother, Andromache, and throw him over the battlements. He comes when the two women, Andromache and Hecuba, are talking together and the child playing somewhere near. Andromache has been allotted as slave to Pyrrhus, the son of Achilles, and is consulting with Hecuba about the horror she has to face. Shall she simply resist to the end, in the hope that Pyrrhus may hate and kill her, or shall she try, as she always has tried, to make the best of things? Hecuba advises: "Think of the boy and think of your own gentle nature. You are made to love and not to hate; when things were happy you made them happier; when they are miserable you will tend to heal them and make them less sore. You may even win Pyrrhus to be kind to your child, Hector's child; and he may grow to be a help to all who have once loved us. . . ." As they speak the shadow of the entering Herald falls across them; he cannot speak at first, but he has come to take the child to its death, and his message has to be given. This scene, with the parting between Andromache and the child which follows, seems to me perhaps the most absolutely heart-rending in all the tragic literature of the world. After rising from it one understands Aristotle's judgment of Euripides as "the most tragic of the poets."