I cannot remember back to a time when he was not “Tom” Reed to me, nor to a time when he would have been offended at being so addressed by me. I cannot remember back to a time when I could let him alone in an after-dinner speech if he was present, nor to a time when he did not take my extravagances concerning him and misstatements about him in good part, nor yet to a time when he did not pay them back with usury when his turn came. The last speech he made was at my birthday dinner at the end of November, when naturally I was his text; my last word to him was in a letter the next day; a day later I was illustrating a fantastic article on Art with his portrait among others--a portrait now to be laid reverently away among the jests that begin in humor and end in pathos. These things happened only eight days ago, and now he is gone from us, and the nation is speaking of him as one who _was_. It seems incredible, impossible. Such a man, such a friend, seems to us a permanent possession; his vanishing from our midst is unthinkable; as unthinkable as was the vanishing of the Campanile, that had stood for a thousand years, and was turned to dust in a moment. I have no wish, at this time, to enter upon light and humorous reminiscences connected with yachting voyages with Mr. Reed in northern and southern seas, nor with other recreations in his company in other places--they do not belong in this paper, they do not invite me, they would jar upon me. I have only wished to say how fine and beautiful was his life and character, and to take him by the hand and say good-by, as to a fortunate friend who has done well his work and goes a pleasant journey. THE FINISHED BOOK (On Finishing _Joan of Arc_) PARIS, 1895. Do you know that shock? I mean, when you come, at your regular hour, into the sick room where you have watched for months, and find the medicine bottles all gone, the night table removed, the bed stripped, the furniture set stiffly to rights, the windows up, the room cold, stark, vacant--and you catch your breath. Do you know that shock? The man who has written a long book has that experience the morning after he has revised it for the last time, seen the bearers convey it from the house, and sent it away to the printer. He steps into his study at the hour established by the habit of months--and he gets that little shock. All the litter and the confusion are gone. The piles of dusty reference books are gone from the chairs, the maps from the floor; the chaos of letters, manuscripts, notebooks, paper knives, pipes, matches, photographs, tobacco jars, and cigar boxes is gone from the writing table. The furniture is back where it use to be in the long ago. The housemaid, forbidden the place for five months, has been there, and tidied it up, and scoured it clean, and made it repellent and awful.