Next, we will say, Notre Dame draws you. Within, you walk the clattering
flags of its dim, long aisles; without, you peer aloft to view its
gargoyled waterspouts, leering down like nightmares caught in the
very act of leering and congealed into stone. The spirit of the place
possesses you; you conjure up a vision of the little maid Esmeralda and
the squat hunchback who dwelt in the tower above; and at the precise
moment a foul vagabond pounces on you and, with a wink that is in itself
an insult and a smile that should earn for him a kick for every inch
of its breadth, he draws from beneath his coat a set of nasty
photographs--things which no decent man could look at without gagging
and would not carry about with him on his person for a million dollars
in cash. By threats and hard words you drive him off; but seeing others
of his kind drawing nigh you run away, with no particular destination in
mind except to discover some spot, however obscure and remote, where
the wicked cease from troubling and the weary may be at rest for a
few minutes. You cross a bridge to the farther bank of the river and
presently you find yourself--at least I found myself there--in one of
the very few remaining quarters of old Paris, as yet untouched by
the scheme of improvement that is wiping out whatever is medieval and
therefore unsanitary, and making it all over, modern and slick and
shiny.
Losing yourself--and with yourself your sense of the reality of
things--you wander into a maze of tall, beetle-browed old houses with
tiny windows that lower at you from under their dormered lids like
hostile eyes. Above, on the attic ledges, are boxes of flowers and
coops where caged larks and linnets pipe cheery snatches of song; and
on beyond, between the eaves, which bend toward one another like gossips
who would swap whispered confidences, is a strip of sky. Below are
smells of age and dampness. And there is a rich, nutritious garlicky
smell too; and against a jog in the wall a frowsy but picturesque
rag-picker is asleep on a pile of sacks, with a big sleek cat asleep on
his breast. I do not guarantee the rag-picker. He and his cat may have
moved since I was there and saw them, although they had the look about
them both of being permanent fixtures.
You pass a little church, lolling and lopped with the weight of the
years; and through its doors you catch a vista of old pillars and soft
half-lights, and twinkling candles set upon the high altar. Not even the
jimcrackery with which the Latin races dress up their holy places and
the graves of their dead can entirely dispel its abiding, brooding air
of peace and majesty. You linger a moment outside just such a tavern as
a certain ragged poet of parts might have frequented the while he
penned his versified inquiry which after all these centuries is not yet
satisfactorily answered, touching on the approximate whereabouts of the
snows that fell yesteryear and the roses that bloomed yesterweek.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account