Having given the boatman explicit directions you settle back in your
cushion seat to enjoy the trip. You marvel how he, standing at the
stern, with his single oar fitted into a shallow notch of his steering
post, propels the craft so swiftly and guides it so surely by those
short, twisting strokes of his. Really, you reflect, it is rowing by
shorthand. You are feasting your eyes on the wonderful color effects and
the groupings that so enthuse the artist, and which he generally
manages to botch and boggle when he seeks to commit them to canvas; and
betweenwhiles you are wondering why all the despondent cats in Venice
should have picked out the Grand Canal as the most suitable place in
which to commit suicide, when--bump!--your gondola swings up against
the landing piles in front of a glass factory and the entire force
of helpers rush out and seize you by your arms--or by your legs, if
handier--and try to drag you inside, while the affable and accommodating
gondolier boosts you from behind. You fight them off, declaring
passionately that you are not in the market for colored glass at this
time. The hired hands protest; and the gondolier, cheated out of his
commission, sorrows greatly, but obeys your command to move on. At least
he pretends to obey it; but a minute later he brings you up broadside at
the water-level doors of a shop dealing in antiques, known appropriately
as antichitas, or at a mosaic shop or a curio shop. If ever you do
succeed in reaching your destination it is by the exercise of much
profanity and great firmness of will.
The most insistent and pesky shopkeepers of all are those who hive in
the ground floors of the professedly converted palaces that face on
three sides of the Square of Saint Mark's. You dare not hesitate for the
smallest fractional part of a second in front of a shop here. Lurking
inside the open door is a husky puller-in; and he dashes out and grabs
hold of you and will not let go, begging you in spaghettified English to
come in and examine his unapproachable assortment of bargains. You are
not compelled to buy, he tells you; he only wants you to gaze on
his beautiful things. Believe him not! Venture inside and decline to
purchase and he will think up new and subtle Italian forms of insult and
insolence to visit on you. They will have brass bands out for you if you
invest and brass knuckles if you do not.
Public-domain text, read in full here on John Shaqi.
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