So, having no desire to be mobbed on the spot, we desisted and put up our knives; and after a while we got back into our carriage and drove on, leaving the capsized mule still belly-up in the debris, lashing out carefully with her skinned legs at the trappings that bound her; and the driver was still prone on the dunghill, with his fingers twitching more feebly now, as though the life had almost entirely fled out of him--a grim little tragedy set in the edge of a wide and aching desolation! We never found out his name or learned how he fared--whether he lived or died, and if he died how long he lived before he died. It is a puzzle which will always lie unanswered at the back of my mind, and I know that in odd moments it will return to torment me. I will bet one thing, though--nobody else tried to cut that mule out of her harness. In the chill late afternoon of a Roman day the guides brought us back to the city and took us down into the Roman Forum, which is in a hollow instead of being up on a hill as most folks imagine it to be until they go to Rome and see it; and we finished up the day at the Golden House of Nero, hard by the vast ruins of the Coliseum. We had already visited the Forum once; so this time we did not stay long; just long enough for some ambitious pickpocket to get a wallet out of my hip pocket while I was pushing forward with a flock of other human sheep for a better look at the ruined portico wherein Mark Antony stood when he delivered his justly popular funeral oration over the body of the murdered Caesar. I never did admire the character of Mark Antony with any degree of extravagance, and since this experience I have felt actually bitter toward him. The guidebooks say that no visitor to Rome should miss seeing the Golden House of Nero. When a guidebook tries to be humorous it only succeeds in being foolish. Practical jokes are out of place in a guidebook anyway. Imagine a large, old-fashioned brick smokehouse, which has been struck by lightning, burned to the roots and buried in the wreckage, and the site used as a pasture land for goats for a great many years; imagine the debris as having been dug out subsequently until a few of the foundation lines are visible; surround the whole with distressingly homely buildings of a modern aspect, and stir in a miscellaneous seasoning of beggars and loafers and souvenir venders--and you have the Golden House where Nero meant to round out a life already replete with incident and abounding in romance, but was deterred from so doing by reason of being cut down in the midst of his activities at a comparatively early age.