I once owned a half interest in a sick automobile. It was one of those
old-fashioned, late Victorian automobiles, cut princesse style, with a
plaquette in the back; and it looked like a cross between a fiat-bed job
press and a tailor's goose. It broke down so easily and was towed in so
often by more powerful machines that every time a big car passed it on
the road it stopped right where it was and nickered. Of a morning
we would start out in that car filled with high hopes and bright
anticipations, but eventide would find us returning homeward close
behind a bigger automobile, in a relationship strongly suggestive of
the one pictured in the well-known Nature Group entitled: "Mother
Hippo, With Young." We refused an offer of four hundred dollars for
that machine. It had more than four hundred dollars' worth of things the
matter with it.
The car we chartered at Naples for our trip to Pompeii reminded me very
strongly of that other car of which I was part owner. Between them there
was a strong family resemblance, not alone in looks but in deportment
also. For patient endurance of manifold ills, for an inexhaustible
capacity in developing new and distressing symptoms at critical moments,
for cheerful willingness to play foal to some other car's dam, they
might have been colts out of the same litter. Nevertheless, between
intervals of breaking down and starting up again, and being helped along
by friendly passer-by automobiles, we enjoyed the ride from Naples. We
enjoyed every inch of it.
Public-domain text, read in full here on John Shaqi.
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