English fiction -- 19th century; Tailors -- Fiction
He was in love, and subtle love will not be shamed and smothered. Love
sits, we must remember, mostly in two hearts at the same time, and the
one that is first stirred by any of the passions to wakefulness, may
know more of the other than its owner. Why had Rose covered her head
and shuddered? Would the girl feel that for a friend? If his pride
suffered, love was not so downcast; but to avenge him for the cold she
had cast on him, it could be critical, and Evan made his bearing to her
a blank.
This somehow favoured him with Rose. Sheep’s eyes are a dainty dish for
little maids, and we know how largely they indulge in it; but when they
are just a bit doubtful of the quality of the sheep, let the good
animal shut his lids forthwith, for a time. Had she not been a little
unkind to him in the morning? She had since tried to help him, and that
had appeased her conscience, for in truth he was a good young man.
Those very words she mentally pronounced, while he was thinking, “Would
she feel it for a friend?” We dare but guess at the puzzle young women
present now and then, but I should say that Evan was nearer the mark,
and that the “good young man” was a sop she threw to that within her
which wanted quieting, and was thereby passably quieted. Perhaps the
good young man is offended? Let us assure him of our disinterested
graciousness.
“Is your friend coming?” she asked, and to his reply said, “I’m glad”;
and pitched upon a new song—one that, by hazard, did not demand his
attentions, and he surveyed the company to find a vacant seat with a
neighbour. Juley Bonner was curled up on the sofa, looking like a
damsel who has lost the third volume of an exciting novel, and is
divining the climax. He chose to avoid Miss Bonner. Drummond was
leaving the side of the Giorgione lady. Evan passed leisurely, and
Drummond said “You know Mrs. Evremonde? Let me introduce you.”
He was soon in conversation with the glorious-haired dame.
“Excellently done, my brother!” thinks the Countess de Saldar.
Rose sees the matter coolly. What is it to her? But she had finished
with song. Jenny takes her place at the piano; and, as Rose does not
care for instrumental music, she naturally talks and laughs with
Drummond, and Jenny does not altogether like it, even though she is not
playing to the ear of William Harvey, for whom billiards have such
attractions; but, at the close of the performance, Rose is quiet
enough, and the Countess observes her sitting, alone, pulling the
petals of a flower in her lap, on which her eyes are fixed. Is the doe
wounded? The damsel of the disinterested graciousness is assuredly
restless. She starts up and goes out upon the balcony to breathe the
night-air, mayhap regard the moon, and no one follows her.
Public-domain text, read in full here on John Shaqi.
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