English fiction -- 19th century; Tailors -- Fiction
“P.S. I said two shawls—a black and a white. The black not so
costly—very well. And so delicate of him to think of the mourning! But
the white, my dear, must be family—must! Old English point. Exquisitely
chaste. So different from that Brussels poor Andrew surprised you with.
I know it cost money, but this is a question of taste. The Duke
reconciles me to England and all my troubles! He is more like poor Papa
than any one of the men I have yet seen. The perfect gentleman! I do
praise myself for managing an invitation to our Carry. She has been a
triumph.”
Admire the concluding stroke. The Countess calls this letter a purely
business communication. Commercial men might hardly think so; but
perhaps ladies will perceive it. She rambles concentrically, if I may
so expound her. Full of luxurious enjoyment of her position, her mind
is active, and you see her at one moment marking a plot, the next, with
a light exclamation, appeasing her conscience, proud that she has one;
again she calls up rival forms of faith, that she may show the
Protestant its little shortcomings, and that it is slightly in debt to
her (like Providence) for her constancy, notwithstanding. The
Protestant you see, does not confess, and she has to absolve herself,
and must be doing it internally while she is directing outer matters.
Hence her slap at King Henry VIII. In fact, there is much more business
in this letter than I dare to indicate; but as it is both impertinent
and unpopular to dive for any length of time beneath the surface
(especially when there are few pearls to show for it), we will
discontinue our examination.
The Countess, when she had dropped the letter in the bag, returned to
her chamber, and deputed Dorothy Loring, whom she met on the stairs, to
run and request Rose to lend her her album to beguile the afternoon
with; and Dorothy dances to Rose, saying, “The Countess de Lispy-Lispy
would be delighted to look at your album all the afternoon.”
“Oh what a woman that is!” says Rose. “Countess de Lazy-Lazy, I think.”
The Countess, had she been listening, would have cared little for
accusations on that head. Idlesse was fashionable: exquisite languors
were a sign of breeding; and she always had an idea that she looked
more interesting at dinner after reclining on a couch the whole of the
afternoon. The great Mel and his mate had given her robust health, and
she was able to play the high-born invalid without damage to her
constitution. Anything amused her; Rose’s album even, and the
compositions of W. H., E. H., D. F., and F. L. The initials F. L. were
diminutive, and not unlike her own hand, she thought. They were
appended to a piece of facetiousness that would not have disgraced the
abilities of Mr. John Raikes; but we know that very stiff young
gentlemen betray monkey-minds when sweet young ladies compel them to
disport. On the whole, it was not a lazy afternoon that the Countess
passed, and it was not against her wish that others should think it
was.
Public-domain text, read in full here on John Shaqi.
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