English fiction -- 19th century; Tailors -- Fiction
At the South-western extremity of the park, with a view extending over
wide meadows and troubled mill waters, yellow barn-roofs and
weather-gray old farm-walls, two grassy mounds threw their slopes to
the margin of the stream. Here the bull-dogs held revel. The hollow
between the slopes was crowned by a bending birch, which rose
three-stemmed from the root, and hung a noiseless green shower over the
basin of green it shadowed. Beneath it the interminable growl sounded
pleasantly; softly shot the sparkle of the twisting water, and you
might dream things half-fulfilled. Knots of fern were about, but the
tops of the mounds were firm grass, evidently well rolled, and with an
eye to airy feet. Olympus one eminence was called, Parnassus the other.
Olympus a little overlooked Parnassus, but Parnassus was broader and
altogether better adapted for the games of the Muses. Round the edges
of both there was a well-trimmed bush of laurel, obscuring only the
feet of the dancers from the observing gods. For on Olympus the elders
reclined. Great efforts had occasionally been made to dispossess and
unseat them, and their security depended mainly on a hump in the middle
of the mound which defied the dance.
Watteau-like groups were already couched in the shade. There were
ladies of all sorts: town-bred and country-bred: farmers’ daughters and
daughters of peers: for this pic-nic, as Lady Jocelyn, disgusting the
Countess, would call it, was in reality a “fête champêtre”, given
annually, to which the fair offspring of the superior tenants were
invited the brothers and fathers coming to fetch them in the evening.
It struck the eye of the Countess de Saldar that Olympus would be a
fitting throne for her, and a point whence her shafts might fly without
fear of a return. Like another illustrious General at Salamanca, she
directed a detachment to take possession of the height. Courtly Sir
John Loring ran up at once, and gave the diplomatist an opportunity to
thank her flatteringly for gaining them two minutes to themselves. Sir
John waved his handkerchief in triumph, welcoming them under an awning
where carpets and cushions were spread, and whence the Countess could
eye the field. She was dressed ravishingly; slightly in a foreign
style, the bodice being peaked at the waist, as was then the Portuguese
persuasion. The neck, too, was deliciously veiled with fine lace—and
thoroughly veiled, for it was a feature the Countess did not care to
expose to the vulgar daylight. Off her gentle shoulders, as it were
some fringe of cloud blown by the breeze this sweet lady opened her
bosom to, curled a lovely black lace scarf: not Caroline’s. If she
laughed, the tinge of mourning lent her laughter new charms. If she
sighed, the exuberant array of her apparel bade the spectator be of
good cheer. Was she witty, men surrendered reason and adored her. Only
when she entered the majestic mood, and assumed the languors of
Public-domain text, read in full here on John Shaqi.
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