English fiction -- 19th century; Tailors -- Fiction
The dowagers were now firmly planted on Olympus. Along the grass lay
the warm strong colours of the evening sun, reddening the pine-stems
and yellowing the idle aspen-leaves. For a moment it had hung in doubt
whether the pic-nic could survive the two rude shocks it had received.
Happily the youthful element was large, and when the band, refreshed by
chicken and sherry, threw off half-a-dozen bars of one of those
irresistible waltzes that first catch the ear, and then curl round the
heart, till on a sudden they invade and will have the legs, a rush up
Parnassus was seen, and there were shouts and laughter and commotion,
as over other great fields of battle the corn will wave gaily and mark
the reestablishment of nature’s reign.
How fair the sight! Approach the twirling couples. They talk as they
whirl. “Fancy the run-away tailor!” is the male’s remark, and he
expects to be admired for it, and is.
“That make-up Countess—his sister, you know—didn’t you see her? she
turned green,” says Creation’s second effort, almost occupying the
place of a rib.
“Isn’t there a run-away wife, too?”
“Now, you mustn’t be naughty!”
They laugh and flatter one another. The power to give and take flattery
to any amount is the rare treasure of youth.
Undoubtedly they are a poetical picture; but some poetical pictures
talk dreary prose; so we will retire.
Now, while the dancers carried on their business, and distance lent
them enchantment, Rose stood by Juliana, near an alder which hid them
from the rest.
“I don’t accuse you,” she was saying; “but who could have done this but
you? Ah, Juley! you will never get what you want if you plot for it. I
thought once you cared for Evan. If he had loved you, would I not have
done all that I could for you both? I pardon you with all my heart.”
“Keep your pardon!” was the angry answer. “I have done more for you,
Rose. He is an adventurer, and I have tried to open your eyes and make
you respect your family. You may accuse me of what you like, I have my
conscience.”
“And the friendship of the Countess,” added Rose.
Juliana’s figure shook as if she had been stung.
“Go and be happy—don’t stay here and taunt me,” she said, with a
ghastly look. “I suppose he can lie like his sister, and has told you
all sorts of tales.”
“Not a word—not a word!” cried Rose. “Do you think my lover could tell
a lie?”
The superb assumption of the girl, and the true portrait of Evan’s
character which it flashed upon Juliana, were to the latter such
intense pain, that she turned like one on the rack, exclaiming:
Public-domain text, read in full here on John Shaqi.
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