English fiction -- 19th century; Tailors -- Fiction
On Rose the blow fell bitterly. Was Evan also a foul schemer? Was he of
a piece with his intriguing sister? His close kinship with the Countess
had led her to think baseness possible to him when it was confessed by
his own mouth once. She heard black names cast at him and the whole of
the great Mel’s brood, and incapable of quite disbelieving them
merited, unable to challenge and rebut them, she dropped into her
recent state of self-contempt: into her lately-instilled doubt whether
it really was in Nature’s power, unaided by family-portraits,
coats-of-arms, ball-room practice, and at least one small phial of
Essence of Society, to make a Gentleman.
CHAPTER XLIV.
CONTAINS A WARNING TO ALL CONSPIRATORS
This, if you have done me the favour to read it aright, has been a
chronicle of desperate heroism on the part of almost all the principal
personages represented. But not the Countess de Saldar, scaling the
embattled fortress of Society; nor Rose, tossing its keys to her lover
from the shining turret-tops; nor Evan, keeping bright the lamp of
self-respect in his bosom against South wind and East; none excel
friend Andrew Cogglesby, who, having fallen into Old Tom’s plot to
humiliate his wife and her sisters, simply for Evan’s sake, and without
any distinct notion of the terror, confusion, and universal upset he
was bringing on his home, could yet, after a scared contemplation of
the scene when he returned from his expedition to Fallowfield, continue
to wear his rueful mask; and persevere in treacherously outraging his
lofty wife.
He did it to vindicate the ties of blood against accidents of position.
Was he justified? I am sufficiently wise to ask my own sex alone.
On the other side, be it said (since in our modern days every hero must
have his weak heel), that now he had gone this distance it was
difficult to recede. It would be no laughing matter to tell his solemn
Harriet that he had been playing her a little practical joke. His
temptations to give it up were incessant and most agitating; but if to
advance seemed terrific, there was, in stopping short, an awfulness so
overwhelming that Andrew abandoned himself to the current, his real
dismay adding to his acting powers.
The worst was, that the joke was no longer his: it was Old Tom’s. He
discovered that he was in Old Tom’s hands completely. Andrew had
thought that he would just frighten the women a bit, get them down to
Lymport for a week or so, and then announce that matters were not so
bad with the Brewery as he had feared; concluding the farce with a few
domestic fireworks. Conceive his dismay when he entered the house, to
find there a man in possession.
Public-domain text, read in full here on John Shaqi.
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