Then the orchestra played softly, sweetly—she knew the air, drew
another deep inspiration, her flush deepened. Over the stage swept a
crowd of gentlemen and ladies, and a motley throng singing in chorus.
Then came in gipsies with tambourines and castanets, and through the
midst of them Preciosa in a crimson velvet bodice and saffron skirt,
wearing a necklace of gold chains and coins.
Eve put her hands over her mouth to check the cry of astonishment; the
dress—she knew it—it was that she had found in the chest. It was that,
or one most similar.
Eve hardly breathed as Preciosa told the fortunes of Don Carcamo and
Don Fernando. She saw the love of Alonzo kindled, and Alonzo she had
identified with Martin. She—she herself was Preciosa. Had she not worn
that dress, rattled that tambourine, danced the same steps? The curtain
fell; the first act was over, and the hum of voices rose. But Eve heard
nothing. Mr. Coyshe endeavoured to engage her in conversation, but in
vain. She was in a trance, lifted above the earth in ecstasy. She was
Preciosa, she lived under a Spanish sun. This was her world, this real
life. No other world was possible henceforth, no other life endurable.
She had passed out of a condition of surprise; nothing could surprise
her more, she had risen out of a sphere where surprise was possible
into one where music, light, colour, marvel were the proper atmosphere.
The most prodigious marvels occur in dreams and excite no astonishment.
Eve had passed into ecstatic dream.
The curtain rose, and the scene was forest, with rocks, and the full
moon shining out of the dark blue sky, silvering the trunks of the
trees and the mossy stones. A gipsy camp; the gipsies sang a chorus
with echo. The captain smote with hammer on a stone and bade his men
prepare for a journey to Valencia. The gipsies dispersed, and then
Preciosa appeared, entering from the far background, with the moonlight
falling on her, subduing to low tones her crimson and yellow, holding
a guitar in her hands. She seated herself on a rock, and the moonbeams
played about her as she sang and accompanied herself on her instrument.
Lone am I, yet am not lonely,
For I see thee, loved and true,
Round me flits thy form, thine only,
Moonlit gliding o’er the dew.
Wander where I may, or tarry,
Hangs my heart alone on thee,
Ever in my breast I carry
Thoughts that burn and torture me.
Unattainable and peerless
In my heaven a constant star,
Heart o’erflowing, eyes all tearless,
Gaze I on thee from afar.
The exquisite melody, the pathos of the scene, the poetry of the words,
were more than Eve could bear, and tears rolled down her cheeks. Mr.
Coyshe looked round in surprise; he heard her sob, and asked if she
were tired or unwell. No! she sobbed out of excess of happiness. The
combined beauty of scene and song oppressed her heart with pain, the
pain of delight greater than the heart could contain.
Public-domain text, read in full here on John Shaqi.
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