"Sir Owen has been telling me, Miss Innes, what Madame Savelli said
about your voice. I do not know how to congratulate you. I suppose such
a thing has not happened before." And her small, grey eyes gazed in
envious wonderment, as if seeking to understand how such extraordinary
good fortune should have befallen the tall, fair girl who stood blushing
and embarrassed in her happiness. Owen drew a chair forward.
"Sit down, Evelyn, you look tired."
"No, I'm not tired ... but I walked from the Arc de Triomphe."
"Walked! Why did you walk?"
Evelyn did not answer, and Lady Duckle said--
"Sir Owen tells me that you'll surely succeed in singing Wagner--that I
shall be converted."
"Lady Duckle is a heretic."
"No, my dear Owen, I'm not a heretic, for I recognise the greatness of
the music, and I could hear it with pleasure if it were confined to the
orchestra, but I can find no pleasure in listening to a voice trying to
accompany a hundred instruments. I heard 'Lohengrin' last season. I was
in Mrs. Ayre's box--a charming woman--her husband is an American, but he
never comes to London. I presented her at the last Drawing-Room. She had
a supper party afterwards, and when she asked me what I'd have to eat, I
said, 'Nothing with wings' ... Oh, that swan!"
Her grey hair was drawn up and elaborately arranged, and Evelyn noticed
three diamond rings and an emerald ring on her fat, white fingers. There
had been moments she said, when she had thought the people on the stage
were making fun of them--"such booing!"--they had all shouted themselves
hoarse--such wandering from key to key.
"Hoping, I suppose, that in the end they'd hit off the right ones. And
that trick of going up in fifths. And then they go up in fifths on the
half notes. I said if they do that again, I'll leave the theatre."
Evelyn could see that Owen liked Lady Duckle, and her conversation,
which at first might have seemed extravagant and a little foolish, was
illuminated with knowledge and a vague sense of humour which was
captivating. Her story of how she had met Rossini in her early youth,
and the praise he had bestowed on her voice, and his intention of
writing an opera for her, seemed fanciful enough, but every now and then
some slight detail inspired the suspicion that there was perhaps more
truth in what she was saying than appeared at first hearing.
"Why did he not write the opera, Olive?"
"It was just as he was ill, when he lived in Rue Monsieur. And he said
he was afraid he was not equal to writing down so many notes. Poor old
man! I can still see him sitting in his arm-chair."
She seemed to have been on terms of friendship with the most celebrated
men of the time. Her little book entitled _Souvenirs of Some Great
Composers_ was alluded to, and Owen mentioned that at that time she was
the great Parisian beauty.
"But instead of going on the stage, I married Lord Duckle."
Public-domain text, read in full here on John Shaqi.
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