"Well--I mean that it was not all my fault that we went away together.
You know that I always liked your father. I was interested in his ideas;
I do not want him to think too badly of me. You will say something in my
favour. After all, I haven't treated you badly. If I didn't marry you,
it was because--"
"Dearest Owen, you've been very good to me."
He felt that to ask her again to go to see her father would only
distress her. He said instead--
"I hear a great deal about your father's choir. It appears to be quite
the fashion to hear high mass at St. Joseph's."
"Father always said that Palestrina would draw all London, if properly
given. Last Sunday he gave a mass by Vittoria; I longed to go. He'll
never forgive me for not going to hear his choir. It is strange that we
both should have succeeded--he with Palestrina, I with Wagner."
"Yes, it is strange.... But you promise me that you'll go and see him as
soon as you've sung Margaret--the following day."
"Yes, dear, I promise you I'll do that."
"You'll send him a box for the first night?"
"He wouldn't sit in a box. If he went at all, it would be in some
obscure place where he would not be seen."
"You had better send him a box, a stall and a dress circle, then he can
take his choice.... But perhaps you had better not send. His presence
among the audience would only make you nervous."
"No, on the contrary, his presence would make me sing."
For whatever reason she had certainly sung and acted with exceptional
force and genius, and Margaret was at once lifted out of the obscurity
into which it was slipping and took rank with her Elizabeth and her
Elsa. As they drove home together in the brougham after the performance,
Owen assured her that she had infused a life and meaning into the part,
and that henceforth her reading would have to be "adopted."
"I wonder if father was there? He was not in the box. Did you look in
the stalls?"
"Yes, but he was not there. You'll go and see him to-morrow."
"No, not to-morrow, dear."
"Why not to-morrow?"
"Because I want him to see the papers. He may not have been in the
theatre; on Thursday night is Lady Ascott's ball; then on Friday--I'll
go and see father on Friday. I'll try to summon courage. But there is a
rehearsal of 'Tannhäuser' on Friday."
And so that she might not be too tired on Friday morning, Owen insisted
on her leaving the ball-room at two o'clock, and their last words, as he
left her on her doorstep, were that she would go to Dulwich before she
went to rehearsal. But in the warmth of her bed, not occupied long
enough to restore to the body the strength of which a ball-room had
robbed it, her resolution waned, and her brain, weak from insufficient
sleep, shrank from the prospect of a long drive and a face of stone at
the end of it. She sat moodily sipping her chocolate and _brioche_.
"You were at the opera last night, Merat. Was Mademoiselle Helbrun a
success?"
"No, mademoiselle, I'm afraid not."
Public-domain text, read in full here on John Shaqi.
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