"If my father will only forgive me; if that first dreadful scene were
only over, we could have an enchanting evening together."
She was too nervous to seek out a volume of Bach and let her fingers run
over the keys; she played anything that came into her head, sometimes
she stopped to listen. At last there came a knock, and her heart told
her it was his. In another moment he would be in the room. But seeing
her he stopped, and, without a word, he went to a table and began
untying a parcel of music.
"Father, I've come to see you.... You don't answer. Father, are you not
going to speak to me? I've been longing to see you, and now--"
"If you had wanted to see me, you'd have come a month ago."
"I was not in London a month ago."
"Well, three weeks ago."
"I ought to have done so, but I had no courage. I could only see you
looking at me as you are looking now. Forgive me, father.... I'm your
only daughter; she's full of failings, but she has never ceased to love
you."
He sat at the table fumbling with the string that had tied the parcel he
had brought in, and she stood looking at him, unable to speak. She
seemed to have said all there was to say, and wished she could throw
herself at his feet; but she could not, something held her back. She
prayed for tears, but her eyes remained dry; her mouth was dry, and a
flame seemed to burn behind her eyes. She could only think that this
might be the last time she would see him. The silence seemed a great
while. She repeated her words, "I had not the courage to come before."
At the sound of her voice she remembered that she must speak to him at
once of his choir, and so take their thoughts from painful reminiscence.
"I went to St. Joseph's on Thursday, but you weren't there. You gave
Vittoria's mass last Sunday. I started to go, but I had to turn back."
She had not gone to hear her father's choir, because she could not
resist Lady Ascott's invitation, and no more than the invitation could
she resist the lie; she had striven against it, but in spite of herself
it had forced itself through her lips, and now her father seemed to have
some inkling of the truth, for he said--
"If you had cared to hear my choir you'd have gone. You needn't have
seen me, whereas I was obliged--"
Evelyn guessed that he had been to the opera. "How good of him to have
gone to hear me," she thought. She hated herself for having accepted
Lady Ascott's invitation, and the desire to ask him what he thought of
her voice seemed to her an intolerable selfishness.
"What were you going to say, father?"
"Nothing.... I'm glad you didn't come."
"Wasn't it well sung?" and she was seized with nervousness, and instead
of speaking to him about his basses as she had intended, she asked him
about the trebles.
"They are the worst part of the choir. That contrapuntal music can only
be sung by those who can sing at sight. The piano has destroyed the
modern ear. I daresay it has spoilt your ear."
"My ear is all right, I think."
Public-domain text, read in full here on John Shaqi.
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