she put any more on she would not be answerable that the chimney would
not catch fire. Every seven or eight minutes the chicken was taken out
to be basted. The bluey-whitey look of the flesh which Evelyn had
disliked had disappeared; the chicken was acquiring a rich brown colour
which she much admired, and if it had not been for Agnes, who told her
the dinner would be delayed till eight o'clock, she would have had the
chicken out every five minutes, so much did she enjoy pouring the rich,
bubbling juice over the plump back.
"Father! Father, dinner is ready! I've got a sole and a chicken. The
sole is a beauty; Agnes says she never saw a fresher one."
"And where did all these things come from?"
"I sent my coachman for them. Now sit down and let me help you. I cooked
the dinner myself." Feeling that Agnes's eye was upon her, she added,
"Agnes and I--I helped Agnes. We made the melted butter from the recipe
in the cookery-book next door. I do hope it is a success."
"I see you've got champagne, too."
"But I don't know how you're to get the bottle open, miss; we've no
champagne nippers."
After some conjecturing the wires were twisted off with a kitchen fork.
Evelyn kept her eyes on her father's plate, and begged to be allowed to
help him again, and she delighted in filling up his glass with wine; and
though she longed to ask him if he had been to hear her sing, she did
not allude to herself, but induced him to talk of his victories over
Father Gordon. This story of clerical jealousy and ignorance was
intensely interesting to the old man, and she humoured him to the top of
his bent.
"But it would all have come to nothing if it had not been for Monsignor
Mostyn."
She fetched him his pipe and tobacco. "And who is Monsignor Mostyn?" she
asked, dreading a long tale in which she could feel on interest at all.
She watched him filling his pipe, working the tobacco down with his
little finger nail. She thought she could see he was thinking of
something different, and to her great joy he said--
"Well, your Margaret is very good; better than I expected--I am speaking
of the singing; of course, as acting it was superb."
"Oh, father! do tell me? So you went after all? I sent you a box and a
stall, but you were in neither. In what part of the theatre were you?"
"In the upper boxes; I did not want to dress." She leaned across the
table with brightening eyes. "For a dramatic soprano you sing that light
music with extraordinary ease and fluency."
"Did I sing it as well as mother?"
"Oh, my dear, it was quite different. Your mother's art was in her
phrasing and in the ideal appearance she presented."
"And didn't I present an ideal appearance?"
Public-domain text, read in full here on John Shaqi.
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