Innes told an instructive story of how he had lost a most extraordinary
treble, the best he had ever had. No, he had not lost his voice; a
casual word had done the mischief. The boy had happened to tell his
mother that Mr. Innes had said that he would give up cricket for
Palestrina, and she, being a fool, had laughed at him. Her laughter had
ruined the boy; he had refused to sing any more; he had become a
dissipated young rascal, up to every mischief. Unfortunately, before he
left he had influenced other boys; many had to be sent away as useless;
and it was only now that his choir was beginning to recover from this
egregious calamity. But though the difficulty of the trebles and the
altos was always the difficulty of his choir, it no longer seemed
insuperable. With the large amount of money at his disposal, he could
afford to pay almost any amount of money for a good treble or alto, so
every boy in London who showed signs of a voice was brought to him. But
in three or four years a boy's voice breaks, and the task of finding
another to take his place has to be undertaken. Very often this is
impossible; there are times when there are no voices. The present time
was such a one, and he fumed at the foolish woman whose casual word had
broken up his choir three months ago, bemoaning that such a calamity
should have happened just before Monsignor's return from Rome. It was
for that reason he was giving the "Missa Brevis," a small work easily
done. He declared he would give fifty pounds to recall his choir of
three months ago, just for Evelyn and Monsignor to hear it. Evelyn
easily believed that he would, and as they parted inside the church she
said--
"I wish I could take the place of the naughty boy."
A look of hope came into his eyes, but it died away in an instant, and
she watched his despondent back as he went towards the choir loft.
Public-domain text, read in full here on John Shaqi.
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