She felt that she must marry Owen, and under this conclusion she stopped
like one who has come face to face with a blank wall. But did she love
him well enough to marry him? She loved him, but was her present love as
intense as the love that had obsessed her whole nature in Paris six
years ago? She tried to think that it was, and found casual consolation
in the thought that if she were not so mad about him now as she was
then, her love was deeper; it had become a part of herself, and was
founded on such knowledge of his character that nothing could change or
alter it. She knew now that in spite of all his faults she could trust
him, and that was something; she knew that his love for her was
enduring, that it was not a mere passing passion, as it easily might
have been. He had given her fame, wealth, position--everything a woman
could desire. Some might blame him for having taken her away from her
home, but she did not blame him, for she knew that she could not have
remained with her father at that time. If she had not gone away with
Owen she might have killed herself; something had given way within her,
she had to do what she had done.
But did she love Owen, or was she getting tired of him? It was so easy
to ask and so difficult to answer these questions. However closely we
look into our souls, some part of the truth escapes us. One always
slurred something or exaggerated something.... She remembered that Owen
had been very tiresome lately; his egoism was ceaseless; it got upon her
nerves, and she felt that, no matter what happened to her, she could
not endure it. There were his songs! How tired she was of talking about
his songs, the long considerations whether this chord or the other
chord, this modulation or another, were the better. He could not compose
a dozen bars without having them engraved and sending copies to his
friends. He wished the whole world to be occupied about him and his
affairs. He was so childish about his music. Other people said, "Oh,
yes, very pretty," but she had to sing it. If she refused, it meant
unpleasantness, and though he did not often say so, a charge of
ingratitude, for, of course, without him she wouldn't have been able to
sing at all. The worst of it was that he did not see the ridiculous
side.
Public-domain text, read in full here on John Shaqi.
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