She met her in the courtyard, and the vivacious little woman cried, "My
dear, how glad I am to see you!" and she stretched out both hands.
Evelyn was more pleased to see her friend than she expected to be, and
while listening to her she envied her for being so happy, and she
wondered why she was so happy; and while asking herself these questions
she noticed her dress. Mademoiselle Helbrun's plump figure was set off
to full advantage in a black and white check silk dress, and she wore a
wonderful arched hat with flowing plumes of the bird of paradise. She
was a prima-donna every inch of her, standing on the steps of her hotel,
whereas the operatic stage could hardly be distinguished at all in
Evelyn's dress. With the black crepon skirt she wore a heliotrope
blouse, and she stood, one foot showing beyond the skirt, in a
statue-like attitude, her pale parasol held negligently over one
shoulder.
"My dear," she said, "I have come to ask you to let me lunch with you."
"But I shall be enchanted, my dear. I wrote on the chance, never
thinking that you would be in town this season."
"Yes, it is strange. I don't know why I am here. There's no one in
town."
"Where would you like to lunch? In my room or in the restaurant?"
"It will be gayer in the restaurant. I haven't seen a soul for nearly a
week."
"My dear!"
Louise gave her a sharp look, in which the passing thought that Evelyn
might be in want of money was dismissed as ridiculous. Louise thought of
some unhappy love affair, and when they sat down to lunch she noticed
that Evelyn avoided answering a question regarding herself, and turned
the conversation on to the Munich performance. The evident desire of
Evelyn not to talk about herself clouded Louise's pleasure in talking of
herself, and she paused in her account of the Wotan, the Brunnhilde, the
conductor and the Rhine Maidens to tell Evelyn of the inquiries that had
been made about her--all were looking forward to her Kundry next year.
Madame Wagner had said that there never had been such a Brunnhilde.
"I daresay she said so, but at the bottom of her heart she did not like
my Brunnhilde. It was against her ideas. She always thought I was too
much woman. She said that I forgot that I was a Goddess. And she was
right. I never could remember the Goddess. I never remember anything on
the stage. 'Tisn't my way. I simply live it all out. I was enthusiastic
when Siegfried came to release me, because I should have been
enthusiastic about him." Evelyn's thoughts went back to Owen, and she
remembered how he had released her from the bondage of music lessons
with a kiss.
"But when I came to tell you about the ruined Valhala and the poor
fallen Gods you were sorry?"
"Yes, I was sorry for father."
"The All-Father?"
Evelyn laughed.
"No, my own father. That's my way. I think of what has happened to me
and I act that. But tell me about the Munich performances."
Public-domain text, read in full here on John Shaqi.
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