Evenings at Donaldson Manor; Or, The Christmas GuestMcIntosh, Maria J. (Maria Jane)
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Evenings at Donaldson Manor; Or, The Christmas Guest
McIntosh, Maria J. (Maria Jane)
Christmas stories; Fiction
In a week Edward Houstoun's friends had grown weary of ruralizing--they
found no longer any music in the crack of a fowling-piece, or any
enjoyment in the dying agonies of the feathered tribes, and, having
resisted all their persuasions to return with them, he was left alone.
"I shall report you as love-sick, or brain-sick, reclining by purling
streams, under shady groves, to read Shakspeare, or Milton, or Spenser,
for each of these books I have seen you at different times put in your
pocket, and wander forth with a most sentimental air--doubtless to make
love to some Nymph or Dryad."
"Make love! Ah! there, I take it, you have winged the right bird, Van
Schaick."
"If I had seen a decent petticoat since we took leave of Mynheer Van
Winkle and his daughter, on board the good sloop St. Nicholas, I should
think so too, Osgood."
"At any rate, it would be wise to report our suspicions to his lady
mother."
"Your suspicions of what--lunacy or love?" asked Edward Houstoun.
"A distinction without a difference--they are equivalent terms."
Thus jested his friends, and thus jested Edward Houstoun with them--well
assured that no gleam of the truth had shined on them--that they never
supposed his visits at Farmer Pye's possessed any greater attraction
than could be derived from the farmer's details of improvements made at
the Glen, of the increased value of lands, or the proceeds of the last
year's crop. They had never seen Lucy Watson, and how could they suspect
that while the farmer smoked his pipe at the door, and the good dame
bustled about her household concerns, he sat watching with enamored eyes
the changes of a countenance full of intelligence and sensibility, and
listening with charmed ears to a soft, musical voice recounting, with
all the simple eloquence of genuine feeling, obligations to the father
whose memory was with him almost an idolatry. Still less could they
divine that Shakspeare, and Milton, and Spenser were indeed often read
beside a purling stream, and within the dense shadow of a grove of oak
and chestnut-trees--not to Nymph or Dryad, but to a "mortal being of
earth's mould,"
"A creature not too bright or good
For human nature's daily food,
For simple pleasures, harmless wiles,
For love, blame, kisses, tears and smiles."
Here, one afternoon, a fortnight after the departure of his friends, sat
Edward Houstoun with Lucy at his side. They had lingered till the
sunlight, which had fallen here and there in broken and changeful gleams
through over-arching boughs, touching with gold the ripples at their
feet, had faded into that
"mellow light
Which heaven to gaudy day denies."
Public-domain text, read in full here on John Shaqi.
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