Dialect literature, Canadian; Fishing villages -- Fiction; Newfoundland and Labrador -- Fiction; Sea stories; Short stories
We had put in from the sea off the Harborless Shore, balked by a
screaming Newfoundland northwester, allied with fog and falling night,
from rounding Taunt Head, beyond which lay the snug harbor and waiting
fish of Candlestick Cove. It had been labor enough, enough of cold, of
sleety wind and anxious watching, to send the crew to berth in sleepy
confusion when the teacups were emptied. Tumm and I sat in the
companionable seclusion of the trader’s cabin, the schooner lying at
ease in the shelter of Jump Harbor. In the pause, led by the wind from
this warmth and peace and light to the reaches of frothy coast, I
recalled the cliffs of Black Bight, upon which, as I had been told in
the gray gale of that day, the inevitable had overtaken Archibald Shott.
They sprang clear from the breakers, an expanse of black rock, barren as
a bone, as it seemed in the sullen light, rising to a veil of fog,
which, floating higher than our foremast, kept their topmost places in
forbidding mystery. We had come about within stone’s-throw, so that the
bleak walls, echoing upon us, doubled the thunder of the sea. They
inclined from the water: I bore this impression away as the schooner
darted from their proximity—an impression, too, of ledges, crevices,
broken surfaces. In that tumultuous commotion, perhaps, flung then
against my senses, I had small power to observe; but I fancied, I
recall, that a nimble man, pursued by fear, might scale the Black Bight
cliffs. There was imperative need, however, of knowing the way, else
there might be neither advance nor turning back....
* * * * *
“Seemed t’ be made jus’ o’ leavin’s, Arch did,” Tumm resumed, with a
little twitch of scorn: “jus’ knocked t’gether,” said he, “with scraps
an’ odds an’ ends from the loft an’ floor. But whatever, an a man had no
harsh feelin’ again’ a body patched up out o’ the shavin’s o’ bigger
folk, a lean, long-legged, rickety sort o’ carcass, like t’ break in the
grip of a real man,” he continued, “nor bore no grudge again’ high
cheek-bones, skimped lips, a ape’s forehead, an’ pale-green eyes, sot
close to a nose like a axe an’ pushed a bit too far back, why, then,” he
concluded, with a largely generous wave, “they wasn’t a deal o’ fault t’
be found with the looks o’ Archibald Shott. Wasn’t no reason ever _I_
seed why Arch shouldn’t o’ wed any maid o’ nineteen harbors an’ lived a
sober, righteous, an’ fatherly life till the sea cotched un. But it
seemed, somehow, that Arch must fall in love with the maid o’ Jump
Harbor that was promised t’ Slow Jim Tool—a lovely lass, sir, believe
_me_: a dimpled, rosy, towheaded, ripplin’ sort o’ maid, as soft as
feathers an’ as plump as a oyster, with a disposition like sunshine
an’—an’—well, _flowers_. She was a wonderful dear an’ tender lass, quick
t’ smile, sir, quick as the sea in a sunlit southerly wind, an’ quick t’
cry, too, God bless her! in sympathy with the woes o’ folk.
Public-domain text, read in full here on John Shaqi.
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