Sara Juke rose and slammed it shut, slipping back into the cold bed with
teeth that clicked. After a while she slept; but lightly, with her
mouth open and her face upturned. And after a while she woke to full
consciousness all at once, and with a cough on her lips. Her gown at
the yoke was wet; and her neck, where she felt it, was damp with cold
perspiration.
"Oh--oh--Hattie! Oh--oh!"
She burrowed under her pillow to ease the trembling that seized her. The
moon had passed on, and darkness, which is allied to fear, closed her
in--the fear of unthinking youth who knows not that the grave is full of
peace; the fear of abundant life for senile death; the cold agony that
comes in the night-watches, when the business of the day is but a dream
and Reality visits the couch.
Deeper burrowed Sara Juke, trembling with chill and night-sweat.
Drowsily Hattie Krakow turned on her pillow, but her senses were too
weary to follow her mind's dictate.
"Sara! 'Smatter, Sara? 'Smat-ter?" Hattie's tired hand crept toward her
friend; but her volition would not carry it across and it fell inert
across the coverlet. "'Smatter, dearie?"
"N-nothing."
"'Smat-ter, dear-ie?"
"N-nothing."
* * * * *
In the watches of the night a towel flung across the bedpost becomes
a gorilla crouching to spring; a tree-branch tapping at the window an
armless hand, beckoning. In the watches of the night fear is a panther
across the chest, sucking the breath; but his eyes cannot bear the light
of day, and by dawn he has shrunk to cat size. The ghastly dreams of
Orestes perished with the light; phosphorus is yellowish and waxlike by
day.
So Sara Juke found new courage with the day, and in the subbasement of
the Titanic Store, the morning following, her laughter was ready enough.
But when the midday hour arrived she slipped into her jacket, past the
importunities of Hattie Krakow, and out into the sun-lashed noonday
swarm of Sixth Avenue.
Down one block--two, three; then a sudden pause before a narrow
store-front liberally placarded with invitatory signs to the public, and
with a red cross blazoning above the doorway. And Sara Juke, whose heart
was full of fear, faltered, entered.
The same thin file passed round the room, halting, sauntering, like
grim visitors in a grim gallery. At a front desk a sleek young interne,
tiptilted in a swivel chair, read a pink sheet through horn-rimmed
glasses.
Toward the rear the young man whose skin was the wind-lashed pink sorted
pamphlets and circulars in tall, even piles on his desk.
Round and round the gallery walked Sara Juke; twice she read over the
list of symptoms printed in inch-high type; her heart lay within her as
though icy dead, and her eyes would blur over with tears. Once, when she
passed the rear desk, the young man paused in his stacking and regarded
her with a warming glance of recognition.
"Hello!" he said. "You back?"
"Yes." Her voice was the thin cry of quail.
Public-domain text, read in full here on John Shaqi.
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