It was under quite different circumstances that I last heard the best
winter singer of all. Never was there a more discouraging day for a
collector of bird-songs. The year was dying of rheumy age. On the
trees still hung a few dank, blotched leaves, while the sodden ground
plashed under foot and a leaden mist of rain covered everything. Yet
at the edge of the very first field that I started to cross, a strange
call cut through the fog, and I glimpsed a large black-and-white bird
crossing the meadow with the dipping up-and-down flight of a
woodpecker. It was the hairy woodpecker, the big brother of the more
common downy, and a bird that usually loves the depths of the woods.
Hardly had it alighted on a wild-cherry tree, when an English sparrow
flew up from a nearby ash-dump and attacked the new comer. The
harassed woodpecker flew to the next tree and the next, but was driven
on and away each time by the sparrow, until finally, with another
rattling call, it flew back to the woods from whence it had come. A
moment later a starling alighted on the same tree, unmolested by its
compatriot.
[Illustration: THE JUNCO ON HIS WATCH TOWER]
I followed the fields to a nearby patch of woods. It is small and
bounded on all sides by crowded roads, but at all times of the year I
find birds there. As I reached the edge of the trees white-skirted
juncos flew up in front of me. Mingled with their sharp notes, like
the clicking of pebbles, came the gentle whisper of the white-throated
sparrow, and from a nearby thicket one of them gave its strange minor
song. For its length I know of no minor strain in bird-music that is
sweeter. Like the little silver flute-trill of the pink-beaked field
sparrow, and the lovely contralto notes of the bluebird who from
mid-sky calls down, "Faraway, faraway, faraway," the song of the
white-throated sparrow is tantalizingly brief and simple in its
phrasing. Up in Canada the guides call the bird the "widow-woman."
Usually its song, except in the spring, is incomplete and apt to
flatten a little on some of the notes; but today it rang through the
rain as true and compelling as when it wakes me, from the syringa and
lilac bushes outside my sleeping-porch, some May morning.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account