I was responsible for the last bird-song which appears on the lists of
my three friends--but not on mine. We were to start back for
civilization the next morning, and I was walking along the river-bank
in the late twilight, while my more industrious and scientific
companions were writing up their notes and compiling lists of
everything seen and heard on our trip. Through the windows of the
gun-room I could see their learned backs as they bent over their
compilations. Suddenly the eerie little wail of a screech owl floated
up from the river-bank. Curiously enough, it came from the very tree
behind which I was crouching. Instantly I saw three backs straighten
and three heads peer excitedly out into the darkness. When I at last
strolled in half an hour later, they told me excitedly that they had
scored the first screech owl ever heard in that particular part of
Canada. I never told them. It is not safe to trifle with the feelings
of a scientific ornithologist. Undoubtedly my reticence in regard to
that particular bird-song is all that has saved me from occupying a
lonely grave in upper Canada.
* * * * *
Sweetest of all the singers, the thrush-folk--what shall I say of
them? of the veery, with its magic notes; of the hermit thrush whose
song opens the portals of another world; of the dear wood thrush who
sings at our door. While these three voices are left in the world,
there are recurrent joys that nothing can take from us.
It was the veery song that I learned first. More years ago than I like
to remember, I walked at sunrise by a thicket, listening to bird-songs
and wondering whether there was any way by which I might come to learn
the names of the singers. One song rippled out of that thicket that
thrilled me with its strange unearthly harp-chords. "Ta-wheela,
ta-wheela, ta-wheela," it ran weirdly down the scale, and strangely
enough, was at its best at a distance and in the dusk or the early
moonlight. I was to learn later that the singer was the veery or
Wilson thrush. That was many years ago, but I have loved the bird from
that day. Once I found its nest set in the midst of a dark
rhododendron swamp; and as the mother bird slipped like a tawny shadow
from the wondrous blue eggs gleaming in the dusk, from nearby vibrated
the whirling ringing notes of its mate. Again, on a tussock in Wolf
Island Marsh I found another; and as both birds fluttered around me
with the alarm note, "Pheu, pheu," the father bird whispered a strain
of his song, and it was as if the wind had rippled the music from the
waving marsh-grasses.
Public-domain text, read in full here on John Shaqi.
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