The position of each blossom is determined beforehand by that of the leaves; so that the shape of every flower-cluster in a boquet [tr. note: sic] is given by the same simple mathematical law which arranges the foliage. Every flower has a "Numerical Plan." Although not easy to make out in all cases, yet generally it is plain to see that each blossom is based upon a particular number, which runs through all or most of its parts. And a principal thing which a botanist notices when examining a flower is its numerical plan. It is upon this that the symmetry of the blossom depends. Thus the stonecrop and the flax are based upon the number five, which is exhibited in all their parts. Some flowers of this same stonecrop have their parts in fours, and then that number runs throughout; namely, there are four sepals, four petals, eight stamens (two sets), and four pistils. Next let us touch upon the plan which connects the plant with the animal world. The wonderful adaptations of many flowers and insects to each other, as to the fertilization of the former, and as to the life of the individual insect and the propagation of its kind, are evidence of design. For example, there are certain species of plants that are dependent for their fertilization on certain species of moths which live in the flowers, and the moths, in turn, are dependent on the plants. They deposit their eggs in the ovaries of the flowers where the young are hatched and nourished. The moths in some cases carry the pollen and place it on the stigmas of the flowers, as if guided by intelligence. So marvellous are the provisions which are made to ensure the fertilization of plants that the dean of Amercan [tr. note: sic] botanists, Professor Asa Gray, exclaims: "If these structures and their operations do not argue intention, what stronger evidence of intention in nature can there possibly be? If they do, such evidences are countless, and almost every blossom brings distinct testimony to the existence and providence of a Designer and Ordainer, without whom, we may well believe, not merely a sparrow, not even a grain of pollen, may fall." (On this entire subject read Selina Gaye's _"The Great World's Farm,"_ published by the MacMillan Co., New York.) We can only lightly touch on the wonders of design in the structure and functions of animals. Here is a feather, any feather, say, the feather of an eagle. We quote the following on "One of Nature's Wonders--the Feather'' from an article in a popular magazine: "To most people a feather is just a feather, either pretty or plain according to how the coloring strikes their individual fancy. Yet when a feather is examined critically, it becomes a wonder and yet more wonderful--it is amazing when its details are understood. Never was there a thing better planned and builded for the uses intended.