Geographically, Chaldaea occupied a central position among the oldest seats of civilization. Commerce, largely aided by the intervention of those colossal pedlars, the Phoenicians, had brought Chaldaea into connection with all of them, for a thousand years before the epoch at present under consideration. And in the ninth, eighth and seventh [106] centuries, the Assyrian, the depositary of Chaldaean civilization, as the Macedonian and the Roman, at a later date, were the depositories of Greek culture, had added irresistible force to the other agencies for the wide distribution of Chaldaean literature, art, and science. I confess that I find it difficult to imagine that the Greek immigrant--who stood in somewhat the same relation to the Babylonians and the Egyptians as the later Germanic barbarians to the Romans of the Empire--should not have been immensely influenced by the new life with which they became acquainted. But there is abundant direct evidence of the magnitude of this influence in certain spheres. I suppose it is not doubted that the Greek went to school with the Oriental for his primary instruction in reading, writing, and arithmetic; and that Semitic theology supplied him with some of his mythological lore. Nor does there now seem to be any question about the large indebtedness of Greek art to that of Chaldaea and that of Egypt. But the manner of that indebtedness is very instructive. The obligation is clear, but its limits are no less definite. Nothing better exemplifies the indomitable originality of the Greeks than the relations of their art to that of the Orientals. Far from being subdued into mere imitators by the technical excellence of their teachers, they lost no time in bettering the instruction they received, using their models as mere stepping stones on the way to those unsurpassed and unsurpassable achievements which are all their own. The shibboleth of Art is [107] the human figure. The ancient Chaldaeans and Egyptians, like the modern Japanese, did wonders in the representation of birds and quadrupeds; they even attained to something more than respectability in human portraiture. But their utmost efforts never brought them within range of the best Greek embodiments of the grace of womanhood, or of the severer beauty of manhood.