ORIGINALITY--INVENTIVENESS Originality is the obverse side of imitation. In combating the notion that Japan is a nation of unreflective imitators, I have given numerous examples of originality. Further extensive illustration of this characteristic is, accordingly, unnecessary. One other may be cited, however. The excellence of Japanese art is admitted by all. Japanese temples and palaces are adorned with mural paintings and pieces of sculpture that command the admiration of Occidental experts. The only question is as to their authors. Are these, properly speaking, Japanese works of art--or Korean or Chinese? That Japan received her artistic stimulus, and much of her artistic ideas and technique, from China is beyond dispute. But did she develop nothing new and independent? This is a question of fact. Japanese art, though Oriental, has a distinctive quality. A magnificent work entitled "Solicited Relics of Japanese Art" is issuing from the press, in which there is a large number of chromo-xylographic and collotype reproductions of the best specimens of ancient Japanese art. Reviewing this work, the _Japan Mail_ remarks: "But why should the only great sculptors that China or Korea ever produced have come to Japan and bequeathed to this country the unique results of their genius? That is the question we have to answer before we accept the doctrine that the noblest masterpieces of ancient Japan were from foreign lands. When anything comparable is found in China or Korea, there will be less difficulty in applying this doctrine of over-sea-influence to the genius that enriched the temples of antique Japan."[AF] Under the early influence of Buddhism (900-1200 A.D.) Japan fairly bloomed. Those were the days of her glory in architecture, literature, and art. But a blight fell upon her from which she is only now recovering. The causes of this blight will receive attention in a subsequent chapter. Let us note here only one aspect of it, namely, official repression of originality. Townsend Harris, in his journal, remarks on the way in which the Japanese government has interfered with the originality of the people. "The genius of their government seems to forbid any exercise of ingenuity in producing articles for the gratification of wealth and luxury. Sumptuary laws rigidly enforce the forms, colors, material, and time of changing the dress of all. As to luxury of furniture, the thing is unknown in Japan.... It would be an endless task to attempt to put down all the acts of a Japanese that are regulated by authority."