But there came a day when, in the blaze of noontime, Ben Crider moved
his chair out by the door and sang softly to the strains of his guitar.
His eyes blinked in the sunlight as he sang, yet they did not fail to
detect the signs of spring so plentiful about the clearing in bud and
leaf and tiny grass shoot, even though patches of snow still lay in the
shaded spots.
The woman who cooked came also to the door as Ben sang. He had spoken of
her the winter through as "the woman," dimly perceiving her as a spirit
that mumbled endless complainings as she toiled, for she was one who
had been disillusioned by much cooking. She cooked acceptably, and Ben
had burgeoned in the uncanny luxury of food prepared by another hand
than his own, but he had given her little attention beyond discovering
her opinion that cooking was a barren performance, since people
perversely ate and thereby destroyed, and the thing must be done again
endlessly. He had vaguely observed that this woman was not beautiful,
and now, as she faced him with a sudden joviality in the spring
sunshine, he saw that she could never have been beautiful. She beamed
amicably on the balladist, and he, turning casual eyes on her, was
stricken to dismayed silence; the tuneful praise of young love fainted
on his lips as he stared, aghast, and his startled hand hushed the
vibrant strings. A moment he looked, recovering from the shock. Then, in
swift recoil, he grasped his chair and went resolutely out under the big
hemlock, there to resume his song and his absent contemplation of
Nature's awakening--his back to the cabin door. In this sensitive mood
he wished not to incur again a vision that blighted song.
It was no longer disputable that spring was real; no baseless tradition,
but an unfolding reality. Ben had divined it, and the other prisoners
were not long in proving it.
One of them surveyed it in panic wonder, turning in upon herself to face
the ordeal of enforced living. They wandered in the open, three of them,
now, finding it good to feel the bare, elastic earth under their feet
again, and prove the noiseless but sensational life of growing things
all about them. They plucked buds to see their secret hearts, and
exposed the roots of peeping herbs that had begun their strivings
before the snow went.
When the sunny places had been dried and warmed, and were pulsing in
their myriad hidden hearts, so that winter began to fade in their minds
as some dream of night, they would penetrate the sunless depths of a
narrow canyon where the snow yet lay deep and the stream was a mere
choking of ice in a gorge.
Public-domain text, read in full here on John Shaqi.
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