Bartell smiled himself back into the more crowded room, and Ewing
waited, apprehending talk like that he had lately undergone. But he
found that this woman who had stared at him so curiously was not
voluble. For a long time she remained silent. Once he glanced up to
observe that her eyes were closed, and seized the moment to study her
face. He thought she was very old--sixty at least. Yet the face showed
strength in its frailness. The cheeks, looking brown under the plenteous
white hair, were lined but not withered, and the curve from brow to chin
revealed more than a suggestion of self-will. A dainty but imperious old
lady he thought her. He might have believed himself forgotten but for an
intimation of waiting thrown out by her manner, a suggestion of leaning
toward him, breathless, one of the gloved hands poising as if to alight
on his arm. He found this less tiring than the compulsion he had lately
been under to agree with a livelier woman about matters strange to him.
And yet he was relieved when she opened her eyes as if to speak. He
regarded her with puzzled but kind expectancy. At last she said, and he
understood that her voice was unnaturally tight and hard:
"Mr. Bartell tells me that you are a painter, Mr. Ewing."
"I'm trying to be--they are very kind here."
"Your father was Gilbert Ewing--a painter?"
"Oh, you _knew_ him?" He thrilled at the thought, but was disappointed.
"Mr. Bartell mentioned his name--and yours."
"He was a painter, yes; he died out there in Colorado."
She seemed to shudder ever so slightly and her eyes closed again.
"And your--your mother?" The words were hardly more than a whisper.
"My mother died when I was very small."
Again she seemed to wince under a sting. But now she fell away from that
waiting tenseness with which she had held him. The hand that had hovered
over his arm fell limply into her lap, and she leaned back in her chair.
"I'm afraid you aren't very well," he ventured. "The rooms are close."
She opened her eyes, with no sign of having heard. Sitting forward in
her chair she gazed ahead with narrowed eyes.
"I am an old woman and dull, Mr. Ewing, but I should like to have you
come and see me."
"I'll be glad to come," he answered promptly enough, though he could not
keep surprise from his voice.
"Come to-morrow, if you will, and pardon an old woman's whim in asking
you with so little ceremony."
"I will come, of course." He wondered if she felt a city loneliness like
his own.
"Thank you. I shall be in after four." She gave him a card from a small
silver case at her belt. "The room _is_ close. You may fetch me tea."
Public-domain text, read in full here on John Shaqi.
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