Near it is the Holy Sepulchre, which is entered from a small cell in which there is a figure of the Magdalene, and from which the visitor must creep on hands and knees into the Sepulchre itself. The figure of Christ is not actually in the Sepulchre, but can be seen through a window opening into the contiguous chapel, where it is over the altar. The early writers say that there were also two angels by Gaudenzio (_statue di Gaudenzio divoissime_), but Bordiga says nothing of this. The upper part of this building was the abode of Bernardino Caimi and his successors until the year 1577. As for the Holy Sepulchre itself it is low and dark, which I have no doubt is the reason why I have neglected it on the occasions of each of my two latest visits to Varallo, and thus failed to reach the adjacent Oratory, which Bordiga says was erected about the year 1702. Fassola and Torrotti wrote before this date, so that the angels mentioned by them as by Gaudenzio may have been removed when the present fabric was erected. At any rate Bordiga speaks as though they were paintings by one Tarquinio Grassi and not sculptured figures at all. Torrotti says that visitors to the Holy Sepulchre used to burn candles, tapers, and torches, each one according to his purse or piety, and that they did this not so much to see with as to pray. “Here,” he continues, “the great S. Carlo spent his evenings agreeably” (_spendeva gradevolmente le notti_). “Few,” he concludes drily, and perhaps with a shade of the same quiet irony that led the Psalmist to say what he did about “one” day in certain courts, “can leave it without feeling devoutly thankful.” About the candles Fassola says that there was a kind of automatic arrangement for getting them like that whereby we can now buy butter-scotch or matches at the railway stations, by dropping a penny into a slot. He says:— “And as the figure of Christ can only be seen by the help of candles (for which reason all pilgrims whose means permit are accustomed to burn them, being naturally prompted thereto each one according to his faith)—by throwing money into a hole wherein the same candles lie, each pilgrim can be made quite comfortable, and contented.” [“Gettando il denaro per un buco dove stanno le medesime candelette, commodamente può restar ogni divoto contento.”] “The mercies vouchsafed here,” continues the same writer; “are innumerable—in all parts may be seen votive pictures both old and recent.”