Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of CreaButler, Samuel
Religion
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea
Butler, Samuel
Art -- Italy -- Varallo-Sesia; Sacro Monte di Varallo (Sanctuary); Tabaguet, Jean Baptiste, 1568 -1615
But of such miscarriages the kingdom of art is full. In the kingdom of
art not only are many called and few chosen, but the few that do get
chosen are for the most part chosen amiss, or are lavished in the
infinite prodigality of nature. We flatter ourselves that among the
kings and queens of art, music, and literature, or at any rate in the
kingdom of the great dead, all wrongs shall be redressed, and patient
merit shall take no more quips and scorns from the unworthy: there, if an
able artist, as, we will say, F. H. Potter just dead, dies poor,
neglected, and unable to fight his way through the ranks of men with not
a tenth part of his genius, there, at any rate, shall right be done;
there the mighty shall be put down from his seat, and the lowly and meek,
if clever as well as good, shall meet his just reward. It is not so.
There is no circle so exalted but the devil has got the run of it. As
for the reputations of the great dead, they are governed in the main by
the chicane that obtains among the living; it is only after generations
of flourishing imposture, that even approximate right gets done. Look at
Raphael, see how he still reigns supreme over those who have the people’s
ears and purses at command. True, Guido, Guercino, and Domenichino have
at last tumbled into the abyss, and we know very well that Raphael will
ere long fall too, but Guido, Guercino, and Domenichino had a triumph of
some two hundred years, during which none dared lift hand against them.
Look again at that grossest of impostors—Bacon. Look at by far the
greater number of the standard classical authors, painters, and
musicians. All that can be said is that there is a _nisus_ in the right
direction which is not wholly in vain, and that though tens of thousands
of men and women of genius are as dandelion seeds borne upon the air and
perishing without visible result, yet there is here and there a seed that
really does take root and spring upwards to be a plant on the whole more
vigorous than that from which it sprung. Right and truth and justice, in
their relation to human affairs, are as asymptotes which, though
continually drawing nearer and nearer to the curve, can never reach it
but by a violation of all on which their own existence is founded.
Public-domain text, read in full here on John Shaqi.
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