Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of CreaButler, Samuel
Religion
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea
Butler, Samuel
Art -- Italy -- Varallo-Sesia; Sacro Monte di Varallo (Sanctuary); Tabaguet, Jean Baptiste, 1568 -1615
On the piazza itself is a chapel representing the Birth of the Virgin
which is also pleasing. It is not always easy for us English to tell the
Birth of the Virgin from the Nativity, and it may help the reader to
distinguish these subjects readily if he will bear in mind, that at the
Birth of the Virgin the baby is always going to be washed—which never
happens at the Nativity; this, and that the Virgin’s mother is almost
invariably to have an egg, and generally a good deal more, whereas the
Virgin never has anything to eat or drink. The Virgin’s mother always
wants keeping up. Gaudenzio Ferrari has a Birth of the Virgin in the
Church of S. Cristoforo at Vercelli. The Virgin’s mother is eating one
egg with a spoon, and there is another coming in on a tray, which I think
is to be beaten up in wine. Something more substantial to follow is
coming in on a hot plate with a cover over it and a napkin. The baby is
to be washed of course, and the kind old head nurse is putting her hand
in the bath, while the under nurse pours in the hot water, to make sure
that the temperature is exactly right. It is to be just nicely loo-warm.
The bath itself is certainly a very little one; it will hold about a pint
and a half, but medieval washing apparatus did run rather small, and
Gaudenzio was not going to waste more of his precious space than he could
help upon so uninteresting an object as a bath; in actual life the bath
was doubtless larger. The under-under nurse is warming a towel, which
will be nicely ready when the bath is over. Joachim appears to have been
in very easy circumstances, and the arrangements could hardly be more
commodious even though the event had taken place at a certain well-known
establishment in the Marylebone Road.
At Milan, in a work that I only know by Pianazzi’s engraving, there are
two eggs coming in on a tray, and they too, I should say, are to be
beaten up in wine. The under nurse is again filling a very little bath
with warm water, and the head nurse is trying the temperature with her
hand. There is no room for the warming of the towel, but there is no
question that the towel is being warmed just out of the picture on the
left hand. Here, at Crea, the attendant is giving the Virgin’s mother a
plain boiled egg, and has a spoon in her hand with which she is going to
crack it. The Virgin’s mother is frowning and motioning it away; she is
quite as well as can be expected; still she does not feel equal to taking
solid food, and the nurse is saying, “Do try, ma’am, just one little
spoonful, the doctor said you was to have it, ma’am.” In the smaller
picture by Carpaccio at Bergamo she is again to have an egg; in the
larger she is to have some broth now, but a servant can be seen in the
kitchen plucking a fowl for dear life, so probably the larger picture
refers to a day or two later than the earlier.
Public-domain text, read in full here on John Shaqi.
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